A Quote by Claudia Llosa
For me, once the film is out, it belongs to the audience, and I have to be open to any reaction that comes from it.
Related Quotes
The task is to influence and create a reaction in the audience. In my opinion, any reaction of a human being in the audience, I think this is great. It means we touched the person's soul.
Once you finish a film, it doesn't belong to you anymore - it belongs to the audience to interpret it the way they feel like interpreting.
It's very important that a film that intends to play tricks on the audience... has to play fair with the audience. For me, any time you're going to have a reveal in the film, it's essential that it have been shown to the audience as much as possible. What that means is that some people are going to figure it out very early on. Other people not til the end. Everybody watches the film differently.
I've never watched my films with an everyday audience so it was really crazy to watch people clap at the end of my film - with no one there, no actors, no people from the film. It was just a spontaneous reaction, so I thought that was probably the best compliment you could get from an audience.
My first reaction to the script is simple - whether I laugh or cry. I like to see a film from an audience's perspective and that is my first reaction.
In a play, you can adjust your performance to audience reaction, but in a film, it's like you're trapped in a bad dream watching yourself act, and you're in the audience.
In a play, you can adjust your performance to audience reaction, but in a film it's like you're trapped in a bad dream watching yourself act and you're in the audience
My reaction to 3D is subtly. Things don't come out at you, but rather you - The audience come into the film.
I don't want the national award... I seriously do not need any such thing. I would only want the audience to go and watch the film once and that will be more than enough for me. Once everybody should see the movie and say it is a good watch.
I think if you're talented and not desperate to do any film that comes your way, and are doing justice to all your roles, then you're fine, because you can't predict the rest. You also can't predict the audience's reaction.
People don't step outside themselves and make the film they want to make, because they're afraid of the reaction. But once you get that reaction and have lived through it, there's nothing they can do to get you down.
You start to find a rhythm and usually if it makes me laugh or comment in the editing room then I knew that's what's going to happen in the audience. That first reaction is usually the right reaction.
Is an audience open to seeing a film that isn't what they expect when they see a film that's been adapted from a children's book?
The great thing about a sitcom is that you're in front of a live audience, so you really get in touch with what audience reaction is, but also there are lots of elements of film that you're dealing with, and there's kind of a great boot camp or graduate school mentality to it, because you're going to suck.
The live audience, just getting an instant reaction off of an audience is the best part[of the show]. Being in the studio and working on your songs and listening to them back and doing all that - it's a lot of fun, but having that instant reaction and being able to work and vibe with an audience is the best part.
The arrow belongs not to the archer when it has once left the bow; the word no longer belongs to the speaker when it has once passed his lips, especially when it has been multiplied by the press.
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