A Quote by Claudia Rankine

I asked a lot of friends and people I'd meet, "Can you tell me a story of a micro-aggression that happened to you in a place you didn't expect it to happen?" I wasn't interested in scandal, or outrageous moments. I was interested in the surprise of the intimate, or the surprise of the ordinary.
I happen to go for the simplest, most ordinary things. The extraordinary doesn't interest me. I'm not interested in psychotics. I'm interested in the person you don't expect to have a story. I like Everyman.
I got a call from Shoaib Mansoor, and he asked if I'd be interested in doing the music of 'Bol.' I said, 'Why not?' and suggested we meet. When we did, to my surprise, he offered me the chance to act in the lead role. After reading the script, I was even more interested in doing it.
An important part of any good mystery story like 'Original Sin' is that it's not just a game of 'Clue' with surprise after surprise after surprise, but the goal is to tell a story in the midst of that. Even once you know the solution to the mysteries, it's far from the whole story.
People show surprise that I have interests outside my political career. There is subtle surprise, for example, that I would be interested in a recipe.
You might ask yourself why you want to surprise your readers in the first place. A surprise ending is sort of like a surprise party. Probably some people, somewhere, enjoy having friends and trusted colleagues lunge at them in the sudden blinding light of their own living room, but I don't think most of us do.
I think it's always a challenge when you're telling a story that people know. But hopefully, good storytelling - well, there's two things. One is, you definitely have to have surprises and changes so that people are - you keep them interested, you take them down roads that they didn't expect and give them suspense and surprise.
It would probably surprise people to know that I'm interested in wildlife. I read a lot of poetry, too.
Each day holds a surprise. But only if we expect it can we see, hear, or feel it when it comes to us. Let's not be afraid to receive each day's surprise, whether it comes to us as sorrow or as joy It will open a new place in our hearts, a place where we can welcome new friends and celebrate more fully our shared humanity.
I think there's a group of students - whether it's the micro-aggression or the safe space or the trigger warning that garner a lot of attention - but that the fundamental issues that they're more interested in are - and I'll be very frank here - how much money do I pay for a unit? And what is that unit going to do for me when I'm graduating?And even though this is mostly in a progressive landscape, they're asking questions that have not been asked of the university. And the university can't supply answers to them.
I've never had a surprise birthday party. I've had every other type of surprise. I've had surprise beatings, surprise drug tests, surprise daughter I think.
People aren’t interested in the truth, Dafar. They’re interested in what keeps them safe. They’re interested in being looked after. They’re interested in a tale being spun... Mighty men have moments of great despair that common people do not want to know about.
Surprise parties are strange 'cause people jump up and they yell the word, 'surprise' at the party. I came home and you emerged from my furniture. You don't have to tell me how to feel. I don't need a hint.
I was really young when I signed with Spinnin' Records, and the huge success of 'Animals' hit me by surprise. I didn't expect my life to turn like that at all. But it was a very welcome surprise, to say the least!
I'm interested in memory because it's a filter through which we see our lives, and because it's foggy and obscure, the opportunities for self-deception are there. In the end, as a writer, I'm more interested in what people tell themselves happened rather than what actually happened.
I make music and hope people enjoy it - but when they do it's always a surprise. A nice surprise, but not one that I expect to always be there.
I'm not interested in telling a story in my photographic work. I'm more interested in freezing certain moments in time.
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