A Quote by Claudia Rankine
Sometimes the art pieces I gravitate toward speak to me in terms of narrative, at other times they speak to me in terms of mood.
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I don't always know what's going to go on in terms of the mood of the story. Sometimes I start with the mood, but sometimes I just try to work toward discovering it. But I do think often there's a mood or unsettling quality, in which the reality of the world seems to be taken away, that I really love, and it's something that I almost always unconsciously move toward.
We did not speak in terms of strategy, in terms of overall economies, in terms of production and territorial conquest. We spoke of the impact of the bomb on the homes and the hopes of men and women.
I do not know anything about Art with a capital A. What I do know about is my art. Because it concerns me. I do not speak for others. So I do not speak for things which profess to speak for others. My art, however, speaks for me. It lights my way.
It is no more informative to speak of self-efficacy in global terms than to speak of nonspecific social behavior
The main issue when it comes to hiring someone from Asia is the language barrier. It's difficult to book someone when they don't speak the language and they can't deliver the lines or even speak to the director. But in terms of Asian-American actresses, we all speak it fluently!
When the enemy's envoy's speak in humble terms, but continues his preparations, he will advance. When their language is deceptive but the enemy pretentiously advances, he will retreat. When the envoys speak in apologetic terms, he wishes a respite. When without a previous understanding the enemy asks for a truce, he is plotting. When the enemy sees an advantage but does not advance to seize it, he is fatigued.
Republicans - Reagan but also George W. Bush - believed in freedom, and they believed in America's role. To have the governing party speak in terms of a zero-sum world, or speak in terms of America's purpose as no more than grabbing the largest share possible in the short run, goes against our foreign policy tradition that goes back to 1900, really.
We speak about understanding each other, having those conversations nationwide - culturally, historically - and yet there's a lot of gaps. So I want to assist with closing the gap of knowing about and hearing about our Latino communities in terms of literature, in terms of writing.
I should like to begin with a philosophical comment. I do not think that when one is speaking of hardships or benefits one can reasonably speak in terms of classes or social groups but only in terms of individuals.
Some knitters say that they buy yarn with no project in mind and wait patiently for the yarn to "speak" to them. This reminds me of Michelangelo, who believed that every block of stone he carved had the statue waiting inside and that all he did was reveal it. I think I've had yarn speak to me during the knitting process, and I've definitely spoken to it. Perhaps I'm doing it wrong, or maybe my yarn and I aren't on such good terms, but it really seems to me that all I say is "please" and all it ever says is "no".
I learned early on that one of the secrets of campus leadership was the simplest thing of all: speak to people coming down the sidewalk before they speak to you. I would always look ahead and speak to the person coming toward me. If I knew them I would call them by name, but even if I didn't I would still speak to them.
I learned early on that one of the secrets to campus leadership was the simplest thing of all: speak to people coming down the sidewalk before they speak to you. I did that in college. I did it when I carried my papers. I would always look ahead and speak to the person coming toward me. If I knew them, I would call them by name, but even if I didn't I would still speak to them. Before long, I probably knew more students than anybody in the university, and they recognized me and considered me their friend.
There's a voice when I write. I speak everything aloud. My family is so accustomed to me talking to myself that often times they don't answer me when I am trying to speak to one of them.
But those two plays left me on fresh terms with language. I didn't always have to speak in my own voice.
A guy like me, yes, I am good in terms of championship races, and that's where I dominate - but in terms of running fast times, I haven't quite done that.
People like Dick Gregory, Paul Robeson, Harry Belafonte and Nina Simone show me what the definition of an artist is - it isn't just to make art but to speak truth to what's happening, speak beauty into the world, speak love into the world and also... get involved.
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