A Quote by Claudia Rankine

I love language because when it succeeds, for me, it doesn't just tell me something. It enacts something. It creates something. And it goes both ways. Sometimes it's violent. Sometimes it hurts you. And sometimes it saves you.
I think words are the thing that either triumphs for you, in your desire to communicate something, or fails. I love language because when it succeeds, for me, it doesn't just tell me something. It enacts something. It creates something. And it goes both ways. Sometimes it's violent. Sometimes it hurts you. And sometimes it saves you.
Sometimes a poem appeals to me technically, just because of the way a line feels on my lips. Sometimes it is because it says something I have felt, or sometimes something that I suddenly recognise. Other times it can change the way I see something.
Racism comes in many different forms. Sometimes it's subtle, and sometimes it's overt. Sometimes it's violent, and sometimes it's harmless, but it's definitely here. It's something that I think we're all guilty of, and we just have to make sure that we deal with our own personal racism in the right way.
Usually it's lyric first, but sometimes it's melody. And I carry a hand-held recorder everywhere I go so I can just hum or whistle a melody if one hits me. Sometimes it's both simultaneously - lyric and melody at the same time - those are a little confusing to me, but sometimes it comes in that form. I just feel like I have my own little radio station and sometimes the static clears and something beams in from out there.
There is no right or wrong angle for something. The idea of putting the camera in an unfamiliar position is simply to do with film language. Sometimes it is spectacular, sometimes it is ugly, sometimes it is uninteresting.
But for me, you also have to be conscious of what is going to play. And that includes playing with. Sometimes it's just a vibe. It's what's going to make this scene work. And sometimes there may be something that restricts you that has to do with something that maybe is historically accurate. And then you have to weigh that decision and give up something for a scene to work.
I work sometimes with dealers and sometimes people just come to me. A lot of the commissions, they just know me. They have seen something and they just approach me.
I just - I love my job. I love doing it. It's a passionate endeavor. And sometimes you can get close to something that you believe is the truth. The truth of something. Not all the time, but sometimes.
You want to make a little money, and sometimes you want to play some really great parts. Sometimes they don't always coincide, or co-exist. Sometimes you've got to do good parts for no money and... You know, I sometimes can't do movies just for the money. I really can't. I mean, I've tried. Believe me, I'd love to just take the money and run. That might just be part of the equation, but there has to be something there. You have to be somewhat creatively satisfied.
Sometimes you read something and it's just -- it doesn't invite a reader....Sometimes you read something and it's not saying, 'oh come in, come in have a seat. I'm going to tell you what happened.' Perhaps my writing comes off as conversational...and that takes effort.
Sometimes I love acting but then sometimes I think it's too much for me. And I don't know if it is something that I could do for the rest of my life.
Sometimes you got to hurt something to help something. Sometimes you have to plow under one thing in order for something else to grow.
Black people loving and losing is something we don’t see enough of. We’re always in these heightened situations like something big is happening, something funny or something violent. And you know what? Sometimes we die of breast cancer or a broken heart. Things happen that are just not being explored cinematically. It’s time we reinvigorated that type of film.
Sometimes great stuff comes quickly and sometimes it doesn't and you've got to dig in for the long haul, don't loose heart, and wait for something to come along. Which is something you learn the more you do it, that if it isn't coming straight away just hang in there and something will come.
I try to just pay attention to what I'm feeling. If something is scary to me, then that's sometimes a good sign - although, sometimes it's not.
Sometimes the reading is related to something I do, sometimes it's not. I feel like every time I read something, there's a quote or something that comes [into the work] later. There's nothing that happens by coincidence. It's fate, I would say.
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