A Quote by Claudia Winkleman

I prefer to stick to my old-lady goth/Steve Tyler look. I've found my look - white lipstick, black eyeliner, black clothes. — © Claudia Winkleman
I prefer to stick to my old-lady goth/Steve Tyler look. I've found my look - white lipstick, black eyeliner, black clothes.
I prefer black and white and portrait photography. I like old, you know, interesting faces, so I think black and white brings out the contrast.
If you look hard enough, you can find race issues and racism in everything. I know people who say, 'See, I don't play pool 'cuz that's where the white ball chase the black ball off the table. So I prefer bowling, where the big black ball knock down the white pins with the red necks.'
I was a goth girl in high school. Perhaps the powdered white face and the black lipstick were not the most attractive. I felt fabulous at the time but looking back, uh, probably not the best idea.
I'm afraid to look in the mirror. I'm afraid I'm going to see an old lady with white hair, just like the old ladies in the park. Alittle bundle in a black shawl just waiting for the coffin.
Skilled in every trick, a worthy heir of his paternal craft, he would make black look like white, and white look black. [Lat., Furtum ingeniosus ad omne, Qui facere assueret, patriae non degener artis, Candida de nigris, et de candentibus atra.]
When you look at Darling and the Oscars, it has to be luck. It was a black and white film and it was the last time that there was a black and white Oscar.
Most of my avant garde fashion is saved for my videos and for the stage. In real life, I tend towards a classy, black Goth look. I love black, a few sparkles, false eyelashes and boots. But when I perform, I love fantasy and props.
Everytime I look at a zebra, I can't figure out whether it's black with white stripes or white with black stripes, and that frustrates me.
I like the way black looks. I think I look better in darker clothes. And maybe the fact that I wear black so much makes me more aware of putting people at ease. The black is sort of the bad-guy guise, so I work overtime to make people comfortable.
I was born in Jackson, Mississippi, in 1969, in a time and place where no one was saying, Look how far weve come, because we hadnt come very far, to say the least. Although Jacksons population was half white and half black, I didnt have a single black friend or a black neighbor or even a black person in my school.
No intelligent black man or black woman in his or her right black mind wants white boys and white girls coming to their homes to marry their black sons and daughters.
I was born in Jackson, Mississippi, in 1969, in a time and place where no one was saying, 'Look how far we've come,' because we hadn't come very far, to say the least. Although Jackson's population was half white and half black, I didn't have a single black friend or a black neighbor or even a black person in my school.
I've never seen a sincere white man, not when it comes to helping black people. Usually things like this are done by white people to benefit themselves. The white man's primary interest is not to elevate the thinking of black people, or to waken black people, or white people either. The white man is interested in the black man only to the extent that the black man is of use to him. The white man's interest is to make money, to exploit.
When I was a teenager, I was obsessed with black eyeliner all around the eye, but for someone with my kind of skin tone and hair colour, using brown is actually better than black. I've also learnt from makeup artists how to apply lipstick in the correct way: by starting with the Cupid's bow first and working your way around.
I usually keep my personal style simple and streamlined. I like classic colors like black, white, and beige. White and black is my favorite color combination, and I like to finish up my look with an accent of gold jewelry.
I think the play offers (white Americans) a different way to look at black Americans For instance, in 'Fences' they see a garbageman, a person they don't really look at, although they see a garbageman every day. By looking at Troy's life, white people find out that the content of this black garbageman's life is affected by the same things- love, honor, beauty, betrayal, duty. Recognizing that these things are as much part of his life as theirs can affect how they think about and deal with black people in their lives.
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