A Quote by Claudia Winkleman

Sex and the City: The Movie' - a bit like the All Saints comeback, and the return of the Jammy Dodger, it feels a little staged and all wrong. — © Claudia Winkleman
Sex and the City: The Movie' - a bit like the All Saints comeback, and the return of the Jammy Dodger, it feels a little staged and all wrong.
Valencia is a pure Mediterranean city; it is a city like Naples or Palermo, like Rome a little bit. Walking in the old town has a little bit of the flavor of the old city of Rome.
With 'Duplicity', I was a little bit like, 'This isn't that hard of a movie.' This isn't like some huge brain trust of a movie. You gotta be a little bit awake to follow the plot, but it's really just a kind of light entertainment. It's like those Cary Grant movies, which are not meant to be anything other than diverting. In a nice way.
One thing about Los Angeles is it feels like it's not new. It feels like it's already been built, and it's deteriorating, except for the places they're trying to make nicer. But in general, you drive all through the city, and the city feels like it was new a long time ago.
We've decided [with Jordan Peele] that we need to be on the Internet for a little bit of time every day to figure out what's going on. It feels like we're working. It feels like you're all typing and you're searching.
Paris. City of love. City of dreams. City of splendor. City of saints and scholars. City of gaiety. Sink of iniquity.
I think every good, entertaining movie should have a message. I really believe that, because if you do it without it, the film feels a little bit soulless.
It's not often that you get to read something that just feels very original for a star but also something that feels like it's more than just a movie or entertainment. Even though the riots were one of the most pivotal riots in civil rights history, especially for the LGBT community, I knew surprisingly very little about them. You don't learn about Stonewall in schools. It's a bit gross really! So it certainly felt like something that was quite important.
I always suspend logic for emotion. If it feels real, or it feels like what I'm going for, we should abandon reality a little bit and go for that. I'm not a documentarian. We're not trying to shoot things for naturalism.
Writing in a lot of ways feels more like excavation than construction. It feels like you're uncovering this thing bit by bit, discovering what it is, instead of constructing it upwards.
I think it's a great thing that women went out in droves to see Sex and the City movie. I think it's wonderful and I think women have always shown they're looking both to be entertained and challenged in a theatre. I don't think women are afraid of movies that make them think; make them feel sad. The movies that I've been associated with are not exactly Sex and the City but women are leading the way to the theatre on those. They used to call it a date movie where the girl gets to choose.
I was in Nauvoo on the 26th of May, 1846, for the last time, and left the city of the Saints feeling that most likely I was taking a final farewell of Nauvoo for this life. I looked upon the temple and city as they receded from view and asked the Lord to remember the sacrifices of His Saints.
Reading 'The Third Sex' feels a bit like flying in a veering helicopter over a rain forest that is disappearing before one's eyes.
I cooked a little bit in my first movie; I did a movie called 'Made.' For the little kid in the movie, I do a scene where I'm preparing a pasta puttanesca. I always loved watching that scene.
The idea of an animated film is you always kind of get a little bit daunted by it as a filmmaker because it feels like a lot of your communication is going to be with computer artists, and you're going to have to kind of channel the movie through extra pairs of hands.
I've done so many sex scenes in my life and it's much easier to do a funny sex scene than a sex scene that is supposed to look like it feels.
When I brought 'Sex and the City' to HBO, I wanted to do something independent, where I could be like, 'I don't care if anybody watches this thing. Just let me do something that I would love to see.' Honestly, the success of 'Sex and the City' was what was most surprising to me. It was sort of like the anti-TV-show in my mind.
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