A Quote by Clayton James Cubitt
My upbringing has been pushing and pulling my work my whole life. At first it pushed me away, as I sought to clean up my mind with a style that was slick and glossy, aspirational and wrapped in fantasy. That's still largely how I approach my fashion work. More recently it's pulled me back, particularly since Katrina, and as I get older and lose some of that shame that's inherited with poverty.
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I approach my work still like an athlete. I have to go to the gym and run or ride the bike and work up a sweat. I need to still get my body right, and, in turn, that will make my mind right. That's how I approach acting.
I don't wear much make-up in my non-working life, though I love to dress up and put on a face for a special occasion. As I get older, I see less of the fantasy 'Indian' self I inherited from my father, and I see my mother looking back at me.
Fashion is not style. Nay, we can say more: Fashion is instead of style. Style is an idiom springing spontaneously from the personality but deliberately maintained. If you have no personality, you may be able to save your face and, possibly, your entire anatomy by following the current fashion, but all we shall know about you, when we see you coming down the street, is that you had enough money to buy a glossy magazine and were sufficiently cunning to work out the cut of the garments shown therein.
Michelle Pfeiffer hasn't been finding a lot of work recently because she doesn't like what a woman her age is offered. That's a real double standard. You get Sean Connery, who gets older and older, still playing opposite young ladies, but it doesn't work the other way around.
I love to work, and to make all kinds of work. But if I work on a fashion story then I work for somebody. If I work for me, for an art project, then I'm not that nervous. It doesn't matter when the photo is done. And if I work on a fashion shoot, then I have access to all these things that I can use later for my art - a still life here or there. I can do all of this while the model is changing.
Everyone has their style and your style explains a lot about who you are - you feel me? I've had style since childhood, so I like to dress how I feel. But maybe I get carried away by some trends.
I have always been pushed by the negative. The apparent failure of a play sends me back to my typewriter that very night, before the reviews are out. I am more compelled to get back to work than if I had a success.
I'm estranged from social media and I don't really deal with it. I tried to work on a website and it took up all my time. People wanted me to have a Twitter account and I spent the whole day figuring out what would be the first message. I still haven't wrapped my head around it.
I think what is probably hard for people to imagine is how wrapped up the 17 years' work on Harry Potter is with what was going on in my life at the time. I was mourning the loss of this world that I had written for so long and loved so much. I was also mourning the retreat it had been from - from ordinary life, which it has been. And it forced me to look back at 17 years of my life and remember things.
I'm actually in a funny place now where I'm more secure than I've ever been. My career is more stable than it's ever been and that's nice, but it's put this thought in my mind where I'm like, "I have more to lose now." I still have to remind myself that I can't be quiet and back away from the things that have got me here, which is kind of doing it my way and not necessarily caring what the consequences are. A lot of that comes back to music.
In some ways it's taken me decades to come clean and make honest work - and still to this day, sometimes I find myself wanting to hide behind my work and deny the more biographical aspects.
Hank Willis Thomas is great. He's the one who "discovered" my work and saw something that I didn't see. He's still constantly pushing me to try out new ideas and not be afraid of what other people will say. He truly is a mentor, and I often ask him about the art world, how to juggle it all and not lose your mind. It would be like accepting an award without thanking him because he really has been so supportive.
My personal style at this point in my life is more audio; it's more driven on less visual and more musicality. But because of my upbringing, my fabulous mentors and teachers that I've had throughout my dance journey or career, I also possess a style that is of the past. It was just a matter of me reaching back.
I want my work to always be hopeful, in the end. You're giving me two hours, and, in Shots Fired's case, 10 hours of your life. I don't want you to ever leave something I've done feeling worse than when you came in. I hope the work can be aspirational, and aspirational doesn't have to be corny at all.
Work - get paid; don't work - don't get paid. Everybody is on commission, .. Try not coming to work for six weeks. Work gets paid; don't work, don't get paid. When they earn those dollars, and when you're 4, and you clean up your room, it really means mom cleaned up the room and you did two toys. When you're 14, it means you cleaned up your room. But still, we got the money caused by work, and then, we have teachable moments on how to handle the money they earn.
My work is really the accumulation of these different moods that I've had throughout my life and where they've taken me. I start looking back, and I think, I've actually created a life out of all this, out of these changes of mood. They've pushed me through all these years, and I seem to have a semblance of a life, and if I look very carefully, I can see some thematic design to it. There's some continuity.
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