A Quote by Clayton Kershaw
Yeah, strikeouts just kind of happen. It's not something I'm trying to do, I'm just trying to get outs as fast as possible.
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Strikeouts are something that just happen. You don't go for strikeouts, because your pitch count gets too high. When you do get that opportunity, you have to put them away with whatever is working that day.
The only time I really try for a strikeout is when I'm in a jam. If the bases are loaded with none out, for example, then I'll go for a strikeout. But most of the time I try to throw to spots. I try to get them to pop up or ground out. On a strikeout I might have to throw five or six pitches, sometimes more if there are foul-offs. That tires me. So I just try to get outs. That's what counts - outs. You win with outs, not strikeouts.
I don't try for strikeouts, but batters just swing and miss. I'd exchange strikeouts for more innings. As a starter, my job is to go deep into the game. When you get strikeouts, you throw a lot of pitches and sometimes you come out early.
For me, it's just going up on the mound and trying to get outs.
We've got a bunch of guys who have been travelling around the world for over 10 years, scratching and clawing, fighting, just trying to live their dream, just trying to prove people wrong, just trying to show that we belong, and that's kind of the essence of NXT.
That's what I am trying to be, just trying to affect the game any way possible, rebounding, getting a block, or trying to get a stop even when your shot isn't falling, because, at the end of the day, all that matters is whether you win or lose.
I felt a constant, low-flying desperation, the kind you feel when you are trying, trying, trying to get something you will never, ever get.
You don't just find an empty museum and say, "I should do something here." I was looking for another kind of venue or exhibition format. I was trying to find a site where something could happen over a long period of time - something that could slowly transform itself and the place as it went. And I was also trying to stand out of the art-world system. Strangely enough, I stumbled on vacant museum.
I am kind of the front man for a team of people behind the scenes who are working just as hard as me and are putting in just as much time to make this all happen. I'm not trying to be humble. I just want everyone to get credit where credit is due.
I'm trying mostly to ask questions. And not just trying to stake out a position on something, but also trying to define the stuff we agree on. I'm having battles with comment posters trying to insert a little sense of order so it's not just a long pissing match between the edges, which is what I think a lot of the blogosphere is tending to do.
I don't care how you get the outs. It doesn't matter to me how bad it looks, how good it looks, how many strikeouts you have. None of that stuff matters as long as you get the outs.
It's kind of like when you look at yourself in the mirror and you say your name. And it gets to a point where none of it seems real. Well, sometimes I can do that, but I don't need an hour in front of a mirror. It just happens very fast, and things start to slip away. And I just open my eyes, and I see nothing. And then I start to breathe really hard trying to see something, but I can't. It doesn't happen all the time, but when it does, it scares me.
Paintings don't just happen. I am not a proponent of the idea of an artist as someone who kind of magically makes things and has no real control or isn't willfully producing a certain kind of thing. It is labor-intensive, and it is research-intensive. You are making one decision after another, trying to get at something you think is important.
Yeah, obviously we use vampires as a metaphor for something else, something deeper than just the supernatural. But there's just something about the bloodsucking walking dead, that can say so much to people. There are really so many people trying to get control over you on a daily basis and steal your soul in some way, take a part of you.
I believe there's more than this - that maybe when we die our brains conjure up some kind of shutdown experience, and that's what people try to sum up as the afterlife. But yeah, I think something else is going to happen and it's going to be crazy and confusing and weird, and we probably won't know what it's all about. It'll just be another place where we're trying to understand why we exist at all.
When you step in to act, you just zoom way in on the longest possible lens and you're just totally in the point of view of your character and you have to forget about everyone else. You don't care about what anybody else is, what they want or what they're trying to do. You're just concerned with your circumstances, what you're trying to get out of someone or some scene.
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