A Quote by Clea Duvall
I don't know about "dream role." I do so many dramatic roles or period films or [play] traumatized people or stressed-out people or very intense things, high stakes happening all the time.
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I loved playing a dramatic role. There's a side of me a lot of people don't know, and when I do dramatic roles, it just all comes out.
I've gotten to go to far-off places in the world, have very unique, isolated, intense experiences for four or five months at a time, and then, kind of like a dream, those things disappear. You may see those people again, but it's never, ever going to be as intense as it was for that time period.
There are so many people who are trying their luck in films and only a few of those actors get to do films and choose to be an actor. The stakes are always high here. It's hard in the sense that it's very uncertain.
But as far as dream roles - I know this is so expected of me, but I would to play Elphaba in 'Wicked' on Broadway. I have a lot of dream roles, but that's like my main one because of the vocal track. I love belting high things!
I have done performance-based roles earlier, films which revolved around me. 'Kshatriya' was one such solid role. And, at that time, people had written good things about it.
I have plenty of dream roles because there is so much I want to do, but my dream year would be to be in a single-camera comedy and then, on my hiatus, film a little low-budget indie drama. That would be a dream 12-month period. A dream role depends on having good material and working with people that I can learn from.
Many of the best films made about war have come out after the wars have ended. People need a period of time to reflect on them.
I just know that there are a lot of people out there who are younger than I am, and I wish to be a role model for them. If they have a dream, I want to help them keep that motivation high, so that they can realize their dream. I want to show people that they CAN have fun in life.
I don't like talking about my work at all. I find it very difficult. I never know what to say. It's too close to me, and there's so many things happening unconsciously while I'm working that I'm not aware of, and people will point these things out to me, and I'll say, "That's interesting." But I don't know what to make of it.
What's happening in the larger world always influences art. When I first started the gallery in 1959, one of the first things I learned was that most people assume artists know one thing and one thing only - that they were idiot savants. I found very quickly that most artists were very informed and very aware of what was happening in the world around them. So all of those things go together, especially for earthworks. And at that time there was such an intense interest in American art. So there was a great deal of attention paid to where it was going.
There are a lot of period dramas out there but not many opportunities for a mixed-race actress to play a period role.
I think that it is very interesting to write about a team because a team is a group of people who work in very close quarters and have very intense relationships so - in my days of playing sports, I was very rarely on a team that did not have it's own peculiar dynamic, and you wind up having very intense feelings for good and for bad about these people with whom you spend many hours a day.
I can do very dramatic films, and at the same time, I can do a very meaningless movie, too, if I feel my role is good.
I'm an actor. I play roles in films and theaters. I don't act out, and I don't play people.
I think a leader has many roles to play. So, you know, one role is that of incubating talent; the other is that of being a strategist. It's a very interesting job I've got.
I realized that many men are happy to play a supporting role to another man, but they are much less happy to play a supporting role to a woman. People are saying we need more females in our industry and we need more female-driven stories, but that takes the men of bankable star quality to come forward and play supporting roles in those films, because ultimately that's what the women have always done. We've always lent our name value to male-centric stories, and now we're going to have to ask the men to swallow their pride, because it seems that it's about pride.
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