A Quote by Clea Duvall

It takes 300 years, it seems, for the great bands to get their due. — © Clea Duvall
It takes 300 years, it seems, for the great bands to get their due.
I get a chance to see new bands and new music. I've seen a lot of amazing local bands, bands that I think 'have what it takes', that they could become the next big thing. More often than not it doesn't happen.
I don't know if i have a 'take' on L.A. The music community is enormous, from the studio musicians to the bands trying to 'make it' to the indie bands... so many bands... it can be overwhelming. But it seems healthy.
The music industry is not what it used to be. Being in a good band is great, and I've been lucky to be in great bands. I've done solo stuff, and that's been great. I also produce rock bands and I do co-writes, where I write with different singers in bands and songwriters.
All the bands get along really well. That's one of the biggest things on a tour. It's great to get all these cool bands together, but if they don't get along it sucks.
To get 300 songs to fit together on an album, it's not like I choose 300 songs and say these are the ones I wanted to pick. To get those 300 songs I sampled 1000's of songs and narrowed down the ones I felt worked the best musically.
I always hate people that complain about showbiz after they've had a good run. To me there are so many great bands that never get their due, that are struggling away. And I'm like, if you hit the lottery, man, you can't expect it to come around every time.
It takes me a long time to get with a landscape. It took me 20 years before I wrote anything about Ibiza, and I haven't written about Oregon yet, although I've been there 20 years - possibly I'm almost due.
If it takes me 300 balls to get a 100, then it'll take me 300 balls. That'll also tire the bowlers quite a bit too, so it's a bit of a win-win if that's the case.
I think there are plenty of good bands out there, but the great bands aren't affected by what's going on around them, trends and all that and competing with other bands and wanting to be the biggest, we find that happens a lot. Bands look at other bands and think: that's what I want, you know? I think that remaining.
We know that for the last 300 or 400 years, the size of human bodies is growing. Now what happened is that we suddenly, in history, have the backward process. We have these great Greek athletes, we have ultra-powerful Roman soldiers. You look at the size of the Roman soldier who has to carry all this ammunition. You're talking about 300,000 Arnold Schwartzeneggers.
It's like they had a backlash the first 11 years. I think the reason why it always seems like there's a backlash is because when bands are unknown, they only get written about by fans.
The U.S. only has 20 billion barrels of oil in reserve. It seems as though there is no more oil around. Venezuela has 300 billion barrels of oil in reserves. Iraq has, like, 150 billion barrels of oil. Iran, close to 300 billion barrels of reserve. Oil for 200 years, of course.
It often takes a couple of years to get a script right and then takes a couple of years to get financing together.
It was awesome growing up in New Orleans because there were great metal bands, there were great hardcore bands, there were great thrash metal bands in the middle '80s and what-not. But then, take me out of New Orleans, and I moved to Fort Worth in 1987, and there's a scene there, too. And Texas absolutely has a different sound.
LCD live was set up to be an argument about what's wrong with bands and why bands should be better. I always thought that we were so obviously not a great band, comically not a great band. I was not a great front man.
Yeah, like '300,' I've probably watched it 300 times. It's one of my favourite films. I've just finished watching 'Spartacus,' another great series. I relate a lot to those kind of films. I think most fighters should relate to those films. It just seems natural. I am Spartacus, I am Leonidas, I am the lead role in those films.
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