A Quote by Clea Duvall
Teachers didn't like me very much. They thought I was just this punk kid and they always wanted to kick me out.
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I was pretty much into punk rock and that's all I cared about. I was into Green Day and the Ramones. I wanted to get a guitar so I could play punk songs because this kid taught me power chords at summer camp.
In middle school, I had this one teacher who would kick me out all the time. He just didn't like me. I could ask a person next to me to borrow a pencil, and he'd kick me out of class. Besides that, I've never been in trouble.
I wanted to get a guitar [when I was 13] so I could play punk songs because kid taught me power chords at summer camp. He was like, "You could play all punk songs if you just learn this chord and just move it around on the guitar".
The whole punk ethic was do-it-yourself, and I've always been very literal, especially as a kid. When they said that anybody can do this, I was like, 'OK, that's me.'
I heard Skip James, and it pierced me. It felt like punk rock to me, real and raw. It was just one guitar, so simple yet so much expression. I wanted to feel and express like that, to take the shortest path to get to an emotion.
Rich always wanted to be so close that it freaked me out. I always thought it was weak of him that he liked me so much, but then I realized that he was strong to put up with me and stay with me when I kept trying to push him away.
Before I studied the art, a punch to me was just like a punch, a kick just like a kick. After I learned the art, a punch was no longer a punch, a kick no longer a kick. Now that I've understood the art, a punch is just like a punch, a kick just like a kick. The height of cultivation is really nothing special. It is merely simplicity; the ability to express the utmost with the minimum.
My parents wanted me to be a doctor, and they weren't very happy at the idea of me choosing acting as a career. Everyone in my family went to university - my older brother is a lawyer - but when they saw me for the first time at the theatre, they thought, "OK". They like it very much now.
My parents wanted me to be a doctor, and they weren't very happy at the idea of me choosing acting as a career. Everyone in my family went to university - my older brother is a lawyer - but when they saw me for the first time at the theatre, they thought, 'OK.' They like it very much now.
When I was a little kid, all I wanted to do was to escape what I thought was the country and get to a city. Probably film and television had influenced me so much, I really thought the key to happiness was living a very artificial life in a penthouse in New York with martini glasses.
I was born in an odd spot and was a very sensitive kid. My feelings could get hurt so easily because I always wanted to be loved, I wanted to be touched, I wanted to touch somebody. I wanted everybody to love me, so I think I was louder than I should have been. I was just trying to get attention. I always felt like I was somebody special, maybe it's because I needed to be somebody special.
I was a naughty kid. Teachers did not like me much.
When I was kid, they always used to tell me to keep notebooks. I look at my shelves now and it's just nothing but notebooks. And if I haven't gotten an idea but I have time to work, I'll pull one out and I bet there will be five or six sentences that will kick me off.
I made the big turnaround in the early Nineties when I started hearing all the tenth generation punk bands like Green Day and Offspring and all those people. It just made me fall in love with punk again and remember my roots, and since that time I've always wanted to do more of that kind of music again.
I remember my wife wanted me to go see 'Contagion,' and I was like, 'Oh my God, why would I want to see that movie?' I mean, I'll just have nightmares and it will freak me out. It turned out that I really enjoyed it; I thought it was very well done.
I always knew I was a writer. And I always thought to myself, 'Well, why not me?' Someone has to be on the best-seller list, 'Why not me?' Someone has to write for the 'New Yorker,' 'Why not me?' And I didn't really get much positive reinforcement as a kid, so I thought, 'Well let me show you what I can do.'
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