A Quote by Clea Duvall

I talk too quiet, and I have to yell on stage. — © Clea Duvall
I talk too quiet, and I have to yell on stage.
I just have a hard time with small talk. My friend Jocelyn says I'm too quiet, but I'm really not quiet. I just tend to come across that way to new people because I don't like to talk first. What if the other person doesn't want to be bothered?
With San Cisco, young kids are more willing to yell at whoever is standing on stage. The difference between the yelling and the quietness is if the older crowd are quiet, they're showing you respect. When you do get a cheer back from them, it's special because they are actually listening.
Parents are people who yell and they yell and they yell and they yell. And you already have the point... and they're still yelling.
I don't yell back at my mother. When I'm angry or scared or upset, I don't yell. I stay quiet. I've seen how she is, how she would get with Kent and with me and with other people, life if someone at the pharmacy got in the wrong line or asked too long a question, or if someone on the bus accidentally bumped her. I've watched her my whole life, the way people react to her. It doesn't actually help you get what you want, yelling and being like that. It only makes people think bad of you.
I seem quiet. But when I get upset, I talk too loudly. I'm sort of an alarmist.
The best way to get somebody's attention is with a little quiet, and then yell at 'em.
Develop serenity and quiet attitudes through your conversation. Depending upon the words we use and the tone in which we use them, we can talk ourselves into being nervous, high-strung, and upset. By our speech, we can also achieve quiet reactions. Talk peaceful to be peaceful.
If an artist doesn't have anything to say, he'll be quiet. Or he'll yell into the darkness until he finds something and hears something back.
In a river mist, if another boat knocks against yours, you might yell at the other fellow to stay clear. But if you notice then, that it's an empty boat, adrift with nobody aboard, you stop yelling. When you discover that all the others are drifting boats, there's no one to yell at. And when you find out you are an empty boat, there's no one to yell.
When deals go wrong, you have no one else to blame, so you yell at yourself, and you yell at others.
On other shows when they get to the end of the scene, they yell 'Cut!' On Whose Line, we yell 'That's Enough!'
Of all human activities, writing is the one for which it is easiest to find excuses not to begin – the desk’s too big, the desk’s too small, there’s too much noise, there’s too much quiet, it’s too hot, too cold, too early, too late. I had learned over the years to ignore them all, and simply to start.
There was a stage when Balanchine and I didn't talk. I was trying to develop my classical technique as opposed to the fast-track technique that he was pushing. We were very quiet with each other. But after two years he saw what I was doing and sent messages through other people that, yes, this is good.
Some people just yell 'Asian BuzzFeed guy!' and I turn around and distinctly yell back 'Eugene!'
Something goes wrong, I yell at them -'Fix it'- whether it's their fault or not. You can only really yell at the players you trust.
I'm a quiet person. It's only when I am cued to talk that I talk. Otherwise, I'm reserved and a bit of a recluse.
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