A Quote by Clemence Poesy
I had a grungy period and looked like a tramp for a very long time - my mum really hated it! I destroyed her entire '70s wardrobe by putting studs into everything - I thought I was really cool. But it's good to experiment - I even had dreadlocks at one point.
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I've had so many parents DM me on social media thanking me because I simply have dreadlocks, because their daughters wear dreadlocks and play with dreadlocks, and I'm like, 'Well why not? Let's do it.' It's really cool to be able to inspire the younger generation of kids of color that look like us.
I can remember how I sang - a little more nasal-y back then. Listening to those old recordings is like seeing a photograph of yourself from 10 years ago. You're wearing what you thought looked cool at the time. You had your hair styled the particular way you thought looked cool. It's an accurate depiction of who you were and what you looked and sounded like at that point in your life. It doesn't necessarily mean that it aged in a way that it feels as cool or sounds as good to you, or says what you thought it said, 10 years later. That's just the nature of growing older.
In the '70s, everybody thought drugs were just good times. People didn't really know about drug addiction, or that such a thing existed. When I grew up in the '70s I thought you had to take drugs. It was almost like I didn't think you had a choice.
I never lived the life of 'Oh, you're so good-looking'. People thought I was a girl when I was little, because I looked like a girl-maybe because my mother would keep my hair really long in a bowl cut. I was in a coffee shop once and the waitress was like, 'What do you want, Miss?' I was 10 or 11-the worst age to have that happen. I had a jean jacket on and a Metallica pin. I thought I was really cool.
When I was younger, I had a perm, and it was really big. My mom was a hairdresser, so even my dad had a perm! I looked like a poodle, but it was cool at the time.
My mum loved Joan Armatrading and used to play her records all the time and even took me to see her a couple of times when I was really quite young. I didn't really like her music back then because my mum was always playing it, but I've grown to appreciate it more.
I always thought that the movie had to be really raw, very edgy, that everything had to be super grounded and feel very real. If this was going to be a story about kids discovering time travel and building a time machine that we needed to believe that they really did it .
When I started acting, I had a really strong discipline of knowing that you had to be on time, knowing that you had to work 12 to 16 hours a day, knowing you had to be prepared, knowing you had to be ready, and it's very interesting because if you're an artist and you're creating, you can work very, very long hours but as you're putting out that love of creation, it's almost like you're charged by it, you're charged by the process of it.
Now very much against her will, she thought of the way Jace had looked at her then, the blaze of faith in his eyes, his belief in her. He had always thought she was strong. He had showed it in everything he did, in every look and every touch. Simon had faith in her too, yet when he'd held her, it had been as if she were something fragile, something made of delicate glass. But Jace had held her with all the strength he had, never wondering if she could take it--he'd known she was as strong has he was.
I really pulled from that repertoire that Billie Holiday was singing, and the way she sang it. It's sort of this beautiful, not really midpoint, but a period of her career where she really still had her voice. She had that deep wisdom that we've come to associate her with. To me, that's her at the height of her powers.
Please tell me a story about a girl who gets away." I would, even if I had to adapt one, even if I had to make one up just for her. "Gets away from what, though?" "From her fairy godmother. From the happy ending that isn't really happy at all. Please have her get out and run off of the page altogether, to somewhere secret where words like 'happy' and 'good' will never find her." "You don't want her to be happy and good?" "I'm not sure what's really meant by happy and good. I would like her to be free. Now. Please begin.
Corsets do look so pretty. Once I watched it, I was like, "Well, they do look nicer than the way I do normally," but they're really uncomfortable. You start to realize why women would pass out. We had the real ones, and they were just awful. At one point, I was like, "I think that's my spleen that this is digging into." So, if I had a nightgown, that was always really comfy. I had a few coats that I thought were pretty cool.
Like a lot of young women, I went through an entire period where I hated female characters - I didn't want to read about them! I thought I was going to be the cool girl who was not like other girls.
Alexia had found pregnancy relatively manageable, up to a point. That point having been some three weeks ago, at which juncture her natural reserves of control gave way to sentimentality. Only yesterday she had ended breakfast sobbing over the fried eggs because they looked at her funny. The pack had spent a good half hour trying to find a way to pacify her. Her husband was so worried he looked to start crying himself.
I had a date with a girl I called the parrot. All she did was repeat everything I said. She never had an original thought of her own. Everything I liked, she liked. Everything I hated, she hated. It was annoying!
I had a date with a girl I called 'the parrot.' All she did was repeat everything I said. She never had an original thought of her own. Everything I liked, she liked. Everything I hated, she hated. It was annoying!
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