A Quote by Clemence Poesy

To embody a character, you have to lose all judgment about them. — © Clemence Poesy
To embody a character, you have to lose all judgment about them.
I think if you find that you're making a judgment on the character, than your audience will make a judgment on the character.
Losing builds character. You know who said that? A loser! Guy who got his ass stomped every day, basketball, football, baseball, lose, lose, lose and lose. All right, I'm talking about me.
Social media itself is not protest. To tweet is not to protest physically. To do a Facebook post, and though it's critical and crucial, is not to show up and embody the anger you feel, to embody the righteous outrage you feel, to embody the concern you feel. This is about putting feet to pavement and to register in the consciousness of America that this is something that's problematic.
One of the fundamental points about religious humility is you say you don't know about the ultimate judgment. It's beyond your judgment. And if you equate God's judgment with your judgment, you have a wrong religion.
I'm very blue collar myself. So it was easy for me to embody that in a sense. It's much harder for me to embody Norrell than it is to embody Terry Donovan.
I believe that every character I create is in their own film, that happens to overlap with the main film. There are complete and real characters, even though we only spend only a little time with them. In the approach to what those entities are, that always appeals to an actor. What are they, since they are going to embody this character?
I like actors who just are who they are, with a little bit of qualification to adapt to their character. But mostly they just use their own personality to embody the character.
I can remember back to when I was 12, 13, and any show that I watched, I wanted to be the main character and embody them, and I think the fact that Sabrina is, in so many ways, such a positive role model for young girls is really cool.
I think a lot of acting is about the removal of self-consciousness. The actor is going to be in front of a lot of people, and will naturally feel self-conscious. So a lot of the preparation for that is the removal of that idea. Like you embody or are connected to this character, therefore you can present this character in a way that eventually, when you come back to see it, you feel not exactly ashamed of.
How much of what the biblical writers believed about the supernatural world do I believe? They weren't us. We are products of the Enlightenment; they were not. So let's stop denying that reality. Rather than sitting in judgment on them from our Enlightenment perches, we ought to have them sit in judgment on us when it comes to informing us about the supernatural world. After all, what they wrote was ultimately overseen by God.
In the final analysis, we count for something only because of the essential that we embody. If we do not embody that, life is wasted.
Once you embody the language, the character comes really naturally, especially when you put the costume on.
The artist must scorn all judgment that is not based on an intelligent observation of character. He must beware of the literary spirit which so often causes a painting to deviate from its true path - the concrete study of nature - to lose itself all too long in intangible speculations.
I'm dyslexic, and it takes me longer to memorize and to embody the character so I can really own it.
Sports is about people who lose and lose and lose. They lose games; then they lose their jobs. It can be very intriguing.
Bryan Cranston's advice to actors, it's my favorite thing, and it changed my life. He said: Don't go into an audition to get the job, go to share your work. That was so liberating. You read it, interpret it, embody it the way you want to play that person and embody them with your whole heart and soul for those 20 minutes.
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