A Quote by Clement Greenberg
Not all, but too many of the best writers, composers, and artists of our time begin to be acclaimed only when they no longer have anything to say and take to performing instead of stating.
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I like to think of myself as a reasonable man. But I have buried too many friends in the too-recent past, and I have seen too many lies go unquestioned, and too many questions go unasked. There is a time when even reasonable men must begin to take unreasonable actions. To do anything else is to be less than human.
Instead of giving all your best tracks to artists, producers now have the opportunity where we can take our favorite beats we make and put our favorite artists on them and release fun songs for people to listen to.
For short term relaxation, I take a hot tub. It's my best way to unblock writers' block, too. For a bit longer relaxation, I enjoy camping. Just being in the wilderness, with no phones or computers or anything I have to do really refreshes my spirit.
My appeal to the composers, whoever touches an old classic, will only be this much: take it up only if you can express it your way, too; work hard with the writers; make them see your new vision for the song; change the lyrics, yet, keep the soul of the original song intact.
I think that any sort of hindsight, especially in this wrestling industry, is a waste of time, and time is extremely valuable. I don't control that. People ask me to do something, and it is our job, as entertainers, to do the best that we can to accomplish that goal. What I get upset about in this business is that so many people talk about the "what if," instead of the "what is." The "what is" is more important. If someone were to go back 15 years and say, "You should have done this," it's too late. I was told to do "X," and I was trying to do "X" the best way that I could.
I think the tendency to paint composers or styles of music with too broad a brush - for example, identifying composers as writers of "simple" or "complex" music - has become increasingly problematic and is almost never productive.
There are so many rappers now that it's cluttering our culture. 90% of the time at a show there are more artists in the crowd than there are fans - it's too much. Too many people try to give you CD's.
Many artists and writers have used cannabis for creative stimulation - from the writers of the world's religious masterpieces to our most irreverent satirists.
The middle-class ladder has rungs that no longer exist for many trying to climb higher. Instead, for too many, in too many places, their chore is simply trying to hang on.
Too many people start their day like a five-alarm fire. Instead, I teach people to start their day a little earlier than they usually do, and urge them to take the time to prepare, to practise, so when you get to work, it's show time and you're at your best.
Critics I don't understand. They get too intellectual. They're not very well-versed in street talk; it takes them longer to say it. So they have to do it in dictionaries and they take longer to say it.
Throughout much of history, women writers have capitulated to male standards, and have paid too much heed to what Virginia Woolf calls "the angel in the house." She is that little ghost who sits on one's shoulder while one writes and whispers, "Be nice, don't say anything that will embarrass the family, don't say anything your man will disapprove of ..." [ellipsis in original] The "angel in the house" castrates one's creativity because it deprives one of essential honesty, and many women writers have yet to win the freedom to be honest with themselves.
All writers have a love-hate relationship with writing. Performing is fun, too, but I wouldn't say it's my favorite. But the most fulfilling is producing.
Many say that no real avant-garde - which I'll define as a combative group of free-thinking artists - can exist anymore. The media's reach is too vast. New artists and movements get snatched up too quickly.
Thanks to art, instead of seeing one world, our own, we see it multiplied and as many original artists as there are, so many worlds are at our disposal.
If professional religious leaders can [no longer] instruct..., our artists and creative writers can perhaps step into this priestly role and bring fresh insight to our lost and damaged world.
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