A Quote by Cliff Chiang
One of my earliest jobs drawing was 'Wonder Woman: Our Worlds At War,' with Phil Jimenez, which was a really cool jaunt through her history. I got to draw this two-page spread that was set in the Golden Age.
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It was really cool to get to know her as a person and artist. And getting to act with her after a year of knowing her and be like, "Oh my god! There's a whole 'nother thing here!" It was really cool to be her friend and then see Ellen Page on the set.
I would like to say to children, 'Don't stop drawing. Don't tell yourself you can't draw.' Everyone can draw. If you make a mark on a page, you can draw.
I've been a fan of 'Wonder Woman' as long as I remember knowing who Wonder Woman was. And being able to draw or write 'Wonder Woman' would be amazing.
I met a woman who went through a very difficult personal crisis, and she was really bed-ridden for a long time, and 'Friends' got her through. I met a woman who had a brain injury while living in Europe, and 'Friends' got her through.
World War Two was a world war in space. It spread from Europe to Japan, to the Soviet Union, etc. World War Two was quite different from World War One which was geographically limited to Europe. But in the case of the Gulf War, we are dealing with a war which is extremely local in space, but global in time, since it is the first 'live' war.
The Golden State has lost its luster. We've got to change our tax system and how we fund government. We're going to have to make it easier to create jobs in California, incentivize manufacturing, really put more in the way of investment in our public school system and our institutions of higher learning if we're going to stay the Golden State.
I believe in Wonder Woman and the true spirit of Wonder Woman, and I wanted to tell that story. I didn't want to make her an alt version of Wonder Woman.
I'm a child of the downloading age. I remember when I was 10, a friend who went to the same school as me came to our [school's] costume party with a really weird hairdo. She had all these little knots in her hair. I asked her who she was and she said she was Björk. I thought this Björk must be a really cool person, so I got on the internet when I got home and found as much as I could on Björk and I fell in love.
It was really in the Golden Age, between the two world wars, when the pure detective story - of which the locked room mystery is really the ultimate form - became popular.
'Texas Chainsaw Massacre' is just one of those movies that's like a page of history. You can't really go wrong. It's a prequel. It's not like number three. Which is really cool, to be the before as opposed to the after.
[My mother] was the oldest of two sisters and two brothers, and she grew up with her brothers, who were about her age. She grew up, to the age of ten, like a wild colt, and then all of a sudden that was over. They had forced on her her 'woman's destiny' by saying, 'This isn't done, this isn't good, this isn't worthy of a lady.'
I got wrecked by a dirty driver. There's no other way of putting it. He's cool with that. I have raced him really cool over the last year to be respectful to him and try to repair our relationship. It is not going to last, I can tell you that. Now we’ve got war.
The history of woman is the history of the continued and universal oppression of one sex by the other. The emancipation of woman is her restoration to equal rights and privileges with man.... Need we wonder, then, at the sad spectacle which humanity offers us? Its hideous wars, its social abominations, its foul creeds, its treacheries, vices, wants, diseases, lusts, tyrannies, and crimes are the natural outcome of the subjugation of one half of the human race by the other.
Until we can insert a USB into our ear and download our thoughts, drawing remains the best way of getting visual information on to the page. I draw as a collagist, juxtaposing images and styles of mark-making from many sources. The world I draw is the interior landscape of my own personal obsessions and of cultures I have absorbed and adapted, from Latvian folk art to Japanese screens. I lasso thoughts with a pen. I draw a stave church or someone from Hello! magazine not because I want to replicate how they look, but because of the meaning they bring to the work.
Aristotle said that philosophy begins in wonder. I believe it also ends in wonder. The ultimate way in which we relate to the world as something sacred is by renewing our sense of wonder. That's why I'm so opposed to the kind of miracle-mongering we find in both new-age and old-age religion. We're attracted to pseudomiracles only because we've ceased to wonder at the world, at how amazing it is.
The second half of the 20th century was a golden age of molecular biology, and it was one of the golden ages of the history of science. Molecular biology was so successful and made such a powerful alliance with the medical scientists that the two together just flourished. And they continue to flourish.
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