A Quote by Cliff Chiang
Something like 'Dr. Thirteen,' which features no big characters, was probably the most fun thing I've worked on because the story was so great, and it was written so well.
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There's actually a big difference between story and character. A great story doesn't make a great movie. A great script, which defines its moments and characters can become a great movie. You can make a movie that makes a lot of money and it may or may not have great story or great characters.
Playing dysfunctional characters or crazy characters is only fun if they're well written. So I have been lucky enough to be asked to play crazy people who are very well written.
The thing I respond to the most is just great writing, interesting characters. I like to think that there is something fun about playing a character that has a lot of authority in her own life.
To combine telling an interesting story with brilliantly written characters is the most difficult thing to do.
We got kind of into a rhythm at 'Parks' because there were so many characters that we had an A story, a B story, and a C story just about every episode. So by the middle of that show's run, we always had three stories, and it worked really well.
It's funny what [producer Richard Zanuck said about even though you can't quite place when the book or the story came into your life, and I do vaguely remember roughly five years old reading versions of Alice in Wonderland, but the thing is the characters. You always know the characters. Everyone knows the characters and they're very well-defined characters, which I always thought was fascinating. Most people who haven't read the book definitely know the characters and reference them.
One of the ways in which writers most show their inventiveness is in the things they tell us about how they write. Generally speaking, I don't like to make a plan before I've written a story. I find it kills the story - deadens it, makes it uninteresting. Unless I'm surprised by something in a story, the reader's not going to be surprised either.
I understand pain very well, so I look for that in a role. If the characters are well-written, don't tell nobody, but I'll do the damn thing for free. I'm serious. It's the writing. I love beautifully flawed characters.
I don't like the strictly objective viewpoint [in which all of the characters' actions are described in the third person, but we never hear what any of them are thinking.] Which is much more of a cinematic technique. Something written in third person objective is what the camera sees. Because unless you're doing a voiceover, which is tremendously clumsy, you can't hear the ideas of characters. For that, we depend on subtle clues that the directors put in and that the actors supply. I can actually write, "'Yes you can trust me,' he lied." [But it's better to get inside the characters' heads.]
That's one reason I really love 'Supergirl.' It's a great show for people to watch with their children - sons and daughters alike. It features strong female characters which is always something to appreciate.
I think the superhero platform gives the female character, you know, a relate-ability for the male audience as well. So, I think that's why people are kinda gravitating towards female super hero characters, and also female characters in general as big parts of the film. So, that's great for us, female actors who want to do roles like that, which is really great.
Definitely, 'True Detective' was a great example of one director, one story. It worked fantastically well. Well, I thought it worked fantastically well; I know a lot people didn't.
You can make a little thing feel like a big thing. To me, it's all tone. Tone is the most important thing in the world. Then character, then story, or something like that.
I signed 'Lucknow Central' because it was a story I wanted to be part of. I still stand by the fact that it was a well written, well directed film with some great performances.
There are plenty of characters I'd love to write. Swamp Thing, Etrigan the Demon, Man-Thing, Howard the Duck, Dr. Strange, Dr. Druid, Ghost Rider, the Micronauts, the Shogun Warriors... the list goes on and on.
I just got a new manager. He's like, "So what do you want to do with the deejay thing?" I'm like, "The deejay thing for me is more my hobby." It's great when you can supplement your income, when you have a weekly or something, it's fun. It's really a hobby, because I don't want it to take away from what I do, which is emceeing.
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