A Quote by Cliff Chiang
After a couple of years at Vertigo, I realized that if I was going to be a professional artist, I'd have to devote myself to it full time, so I ended up leaving my job there and went freelance.
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After a couple of years in a professional setting, you'll get used to dressing presentably, preparing for meetings, speaking appropriately, showing up on time, writing professional correspondence, etc.
It was sad leaving 'All Saints' because I was leaving a family that had nurtured me and looked after me for a couple of years, and at the same time that particular storyline wasn't a surprise to me. I knew I was going. It had been worked out very carefully over many months.
I started acting when I was 13 in New York. Worked there for a couple years, then auditioned for a show there that was going to be filming here. Ended up coming out, getting the job and just staying.
I was announcing to the public, in 2006, that I'd be leaving Microsoft in a couple of years and focusing full-time on the foundation. That was the time at which we went back to New York and Warren [Buffett] announced these gifts to a number of foundations, with a very high percentage of it going to us and basically doubling our capacity.
That's why I ended up leaving school - because it required so much time, and it was such an excellent idea. I figured I would regret not going full force with this idea. It seemed we could make something of it.
'All-Star Wonder Woman' would get worked on in what is laughably referred to as my 'spare time.' I just ended up with less and less time to devote to it. Eventually, we all realized that it was taking forever, so we just all agreed to hold off on it 'til the time was right to do it properly. Well, I still have a contract; DC never tore it up.
I never expected to make the videos a full-time job. I thought I would continue to work as a freelance Web designer and just do the videos for fun. But the audience built so quickly that it became full-time.
I came out to Los Angeles for a couple of meetings in the summer of 2005, and I ended up getting a movie called Firehouse Dog for Fox. And I thought, "Oh, man. I'm doing a movie. Maybe I'll work a lot more now. I'm an actor now." Then, for eight, nine months I didn't work after that. After that movie, I began to get some guest star roles, fairly consistently, but because I had been so presumptuous before in thinking that the other jobs would lead to something, I realized: "Just get up. Go to work. Go home. This is your job just like everyone else's job."
I think it's harder than ever to be an artist. I think that you end up, especially as a middle-aged person, you pay such big consequences for saying, 'I'm just going to devote my life to making art,' or 'I'm going to devote my life to writing novels.' You end up with no resources.
The work I did in Vertigo meant nothing if no one cared about the movie. Luckily, Vertigo had a revival and people had begun to recognize there was something special and it gained in reputation. But it just as well could have ended up rotting in film cans somewhere.
Keeping up with the Joneses was a full-time job with my mother and father. It was not until many years later when I lived alone that I realized how much cheaper it was to drag the Joneses down to my level.
I ended up going to college for visual arts but moved up to New York after I graduated from college in 2006 and started going gung ho to the Upright Citizens Brigade, and I realized that that was what I was really interested in and what I really wanted to do.
FNM didn't really become one of my favorite all-time bands until after I'd had all their records for a couple of years. And realized I was playing them every day.
First of all, as a professional, you can run around saying "artists, schmartists" as much as you want. But I'm a professional, so if somebody hires me for something, I'm going to bring my best to it. They've hired me, I'm professional, I show up on time, I do my job. That's what we're doing. So in that sense, it's always both things.
I can't really see myself as an artist. Now, to step out here and there, do it when I feel like it, that's a possibility. But for me to be a full-fledged, full-time artist in the industry, I don't think so.
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