A Quote by Cliff Martinez
I've always been very left of center and the radio never had much diversity and film did.
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When I stepped out from doing films and had a dark period, I never did anything dark on a set, so I never made enemies on a set. I never was a bad girl on a set; I always considered films a really sacred space, so when I had my problems, I had them very much away from the film community.
Humankind has mainly evolved in Africa, and we only left Africa very, very late in our evolutionary path. This means that there is very little genetic diversity among those who left Africa and very much genetic diversity among those who stayed.
I did radio, I did television, I did opera, I did films in which I had very, very little to say. But I had a lot of experience in front of the camera, and that's what really counts.
I was uncomfortable because I had never been that nude before. I had never shown my legs, and never shown quite that much skin. I always played frigid doctors or the plain sisters who got the guy at the end. What did I know from ladies in caves who ate only meat? And when the outfit came in, I never thought of myself that way. I mean, I always thought of myself as having my father's chest. I was very self-conscious.
There's not a formula that I'm following; it's just how I feel at the time. For instance, I did a very experimental film called 'Hardcore Henry,' and that was simply because I thought the filmmaker was very interesting and a risk taker. A film like that had never been made before, so I chose to do that at the time.
I think the single most important political distinction today is actually between open-minded versus closed-minded, and that's why I think this crosses the boundaries of traditional - center-right and center-left have much more in common with each other right now than the right does with the center-right, and the left does with the center-left.
I do think the Obama agenda is the furthest left agenda we've seen since probably LBJ and the Great Society. And the differences have been that instead of him trying to go center-left, he's gone - in my estimation - more left. He's shown the country a much more aggressive liberal, more European style agenda, and that's on a center-right country.
Flora, always tall, had grown to be very broad too, and short of breath; but that was not much. Flora, whom he had left a lily, had become a peony; but that was not much. Flora, who had seemed enchanting in all she said and thought, was diffuse and silly. That was much. Flora, who had been spoiled and artless long ago, was determined to be spoiled and artless now. That was a fatal blow.
The center has had the challenge of always having to be reasonable, balanced. If you're on the right, you can reach to the right; and on the left, you can reach left. But the center hasn't always sold as well in politics - it doesn't fit neatly on a bumper sticker. But what we're seeing is that citizens in countries around the world are realizing that, no, it's more important to be responsible and optimistic and thoughtful about the solutions and not feed knee-jerk, negative emotions.
I did not grow up watching much TV and film. I had a very, very, very, very, very, very church family, and a lot of, like, secular stuff was not around my house.
To turn the radio on and hear so much more diversity, it's so refreshing. That voice that cuts through what you've been hearing, it's inspiring.
I've always been fascinated with radio and broadcasting. I did fake radio shows as a kid, where I was a DJ and stuff like that.
I've had a very unique path that's different from everybody else's. I was never a dater. I never went out that much. I've always had long-distance relationships. And, everything has come very fast in my life. I haven't waited for much.
Everything for me has always been opposites; nothing has ever been in the middle... My life never had anything normal or in the center.
I did New York, I Love You which is a very personal film for me. My most personal film, but it's not like a film I've ever made. I would never do that film as a feature, for instance, because it's not very commercial of an idea.
Whatever had been on the radio in the '60s; I mean we were always listening to the radio.
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