A Quote by Cliff Richard
Once in a lifetime a really beautiful song comes along ... Until it does, I'd like to do this one.
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A song like 'Once in a Lifetime' is inspired by my marriage - it's a good, life-changing happening in my life. I think when you find your once-in-a-lifetime love, that's what everybody's looking for.
I think The Undertaker is, much like Brock Lesnar, a once-in-a-lifetime wrestler, a once-in-a-lifetime athlete, and a once-in-a-lifetime performer.
The eternal task of song can never be finished in a single lifetime. That is the beauty and fascination of the art. Once you begin to phrase finely, you will feel more joy in the beautiful finish of a beautiful phrase than that caused by the loudest applause of an immense audience. The latter excites for a moment; the former endures forever.
You don't realize how beautiful an idea is until you do it with other people. There's this really shimmery, awesome thing when you start finishing a song - where the song just starts writing itself.
The whole life of a song doesn't end with the way that it sounds on the record. How does this song grow? What works live? What do people like to sing along to?
Michael Jackson was not an artist who comes along once in a decade, a generation, or a lifetime. He was an artist who comes along only once, period… He raised the bar and then BROKE the bar!
It was a great opportunity that I had to take - my very own theater. That comes along once in a lifetime. It doesn't even seem like 15 years ago - time sure flies by. I've really had a lot of fun with it.
The tone of 'Into the Beautiful North' is really the way I write. 'Hummingbird's Daughter' was the anomaly. It was a once-in-a-lifetime phenomenon.
With 'Love Shack,' once we put that chorus in, it did have more of a song structure. Even though the verses are all kind of different, the chorus was there along with 'The Love Shack' - I think that really made it a hit. Once we heard it in the studio, we played it for R.E.M., and they were like, 'Yes this is a hit.'
I wrote a song with Kara DioGuardi called 'What If,' and it's a really beautiful song. It's kind of like a rock ballad. There's a lot of guitars and drums in it.
But once you've made a song and you put it out there, you don't own it anymore. The public own it. It's their song. It might be their song that they wake up to, or their song they have a shower to, or their song that they drive home to or their song they cry to, scream to, have babies to, have weddings to - like, it isn't your song anymore.
Life gives you so many alternatives to choose from, and... you judge these as best as you can until something comes along like 9/11. And it's the central event of my lifetime, so I knew I had to write about that.
We originally developed 'The Client List' along with Lifetime as a TV movie - my manager and I became partners on the project. Then, we brought in Howard Braunstein on the project and produced it along with Lifetime.
What's really cool about 'This is Me' is that our friends loved the song. Older punk rock fans don't know 'The Greatest Showman,' haven't seen the movie. And they hear that song and they're like, 'This just sounds like an awesome New Found Glory song. This is a really good song.'
I feel like, when you turn on the radio and you hear a great song, you know it's a great song, and you sing along. We all know what a great song sounds like, so we all have that instinct, it's just being able to accept your own instincts when you write that song.
I think being a singer-songwriter... your job is to tell a story that other people can't really tell themselves. And I really hope that people kinda go: "This happened once and I kind of like this song because I relate to it..." So if at least one of my songs over this tour's that song, then that's really cool.
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