A Quote by Clifford Geertz

I don't write drafts. I write from the beginning to the end, and when it's finished, it's done — © Clifford Geertz
I don't write drafts. I write from the beginning to the end, and when it's finished, it's done
I don't write drafts. I write from the beginning to the end, and when it's finished, it's done.
When I set out to write a screenplay, I have in my mind a beginning and an end but that end part continually changes as I start to write the middle. That way by the time the screenplay is finished I have taken myself and my audience from a familiar beginning point through the story to an unfamiliar ending point.
I don't read anything electronically. I don't write electronically, either - except e-mails to my family and friends. I write in longhand. I have always written first drafts by hand, but I used to write subsequent drafts and insert pages on a typewriter.
I don't write a play from beginning to end. I don't write an outline. I write scenes and moments as they occur to me. And I still write on a typewriter. It's not all in ether. It's on pages. I sequence them in a way that tends to make sense. Then I write what's missing, and that's my first draft.
I have to re-write a lot. I couldn't tell you how many drafts I write, but I know I've done at least twenty rewrites on each book.
I always write the end of everything first. I always write the last chapters of my books before I write the beginning....Then I go back to the beginning. I mean, it's always nice to know where you're going is my theory.
I try to write every day until the book is done, but the exact process depends on the story and its structure. Sometimes, if the story is more linear, I write it from beginning to end.
I'm pretty obsessive-compulsive, and I'm very fast. I tend to not write for a long period of time until I can't not write, and then I write first drafts in gallops. I won't eat right. I forget to do my laundry.
I had written eight drafts of the Lemony Snicket' screenplay when this changing-of-the-guard thing happened, and I said to the new producers, "I don't think I could write any more drafts." I guess I was sort of hoping they would say, "Well that's okay, this last one is perfect." But instead, they said, "It's funny you should say that. We don't think you can write any more drafts either."
From beginning to end, the novel [Dissemblers] took about three and a half years to write. I didn't write it chronologically.
In my office in Florida I have, I think, 30 manuscript piles around the room. Some are screenplays or comic books or graphic novels. Some are almost done. Some I'm rewriting. If I'm working with a co-writer, they'll usually write the first draft. And then I write subsequent drafts.
Advice to beginning SF writers? Write a lot, finish what you write, and when it's done, keep sending it out for quite awhile.
I am a very linear thinker, so I write beginning to end. I write hundreds of pages per book that never make it into print.
I am a very linear thinker, so I write beginning to end. I write hundreds of pages per book that never make it into print
Most new writers think it's easy to write for children, but it's not. You have to get in a beginning, middle and end, tell a great story, write well, not be condescending-all in a few pages.
I am sure it has been done with less, but you should be prepared to write and throw away a million words of finished material. By finished, I mean completed, done, ready to submit, and written as well as you know how at the time you wrote it. You may be ashamed of it later, but that's another story.
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