A Quote by Clifford Stoll
Call me a troglodyte; I'd rather peruse those photos alongside my sweetheart, catch the newspaper on the way to work, and page thorough a real book.
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The photographers I worked alongside loved the news cycle and the hustle and getting that front page of the newspaper. But I wanted to be out in the field in conflict areas, documenting real life rather than political theater.
It's like those high-school yearbook photos that everyone would rather not see: Oh my God, look at that mullet hair. I have those photos too, but for me, they're, like, entire movies. And they show them on cable.
My call for a spiritual revolution is not a call for a religious revolution. Nor is it a reference to a way of life that is somehow otherworldly, still less to something magical or mysterious. Rather it is a call for a radical reorientation away from our habitual preoccupation with self. It is a call to turn toward the wider community of beings with whom we are connected, and for conduct which recognizes others' interests alongside our own.
Being shortlisted for the Swansea University International Dylan Thomas Prize is, of course, a real honour for me and my work. When I wrote 'Conversations with Friends,' it was hard for me to imagine the book even finding readers - so it's a huge privilege to find it judged alongside such exciting and innovative new writing. I'm very grateful.
We were at a kibbutz, and we were at a Shabbat service, and I opened up the prayer book, and on the first page, it said that the prayer book was in thanks to the sponsorship of this family in a temple in Kansas City. For me, it was a moment when I really kind of connected in a real serious way with my personal identity as a Jew.
My readers often say to me, 'If we lived next door to each other, we'd be best friends.' That is precisely what I wanted to say to smart, funny, self-effacing Ellen McCarthy after I finished reading The Real Thing. I loved every lesson laid out in a book that wouldn't dare to call itself a field guide to marriage but amounts to as much on every page. This is a deeply useful little book.
You see? Characters in books do not read books. Oh, they snap them shut when somebody enters a room, or fling them aside in disgust at what they fancy is said within, or hide their faces in one which they pretend to peruse while somebody else lectures them on matters they'd rather not confront. But they do not read them. 'Twould be recursive, rendering each book effectively infinite, so that no single one might be finished without reading them all. This is the infallible message of discovering on which side of the page you are on.
You said we've got a new page. I figure I've got some say in what gets written on it. So I'm going to work on you. Last time around, you threw yourself at me.” “I did no such thing.” “Sure you did. But I can see I've got my work cut out for me this time. That's okay.” He skimmed his thumb over her knuckles before she jerked her hand free. “In fact, I think I'm going to enjoy it.” “I don't know why I waste my time trying to mend fences with you. You're as arrogant as you ever were.” “Just the way you like me, sweetheart.
Digg is like your newspaper, but rather than a handful of editors determining what's on the front page, the masses do.
The true felicity of a lover of books is the luxurious turning of page by page, the surrender, not meanly abject, but deliberate and cautious, with your wits about you, as you deliver yourself into the keeping of the book. This I call reading.
My goal is to create a book where the entire book-text, pictures, shape of book-work together to create the theme. The placement of images and text on the page is crucial for me.
The point of page one is to make people turn to page two and if at the end of the book people think that the book was good value for money, you have achieved something, because if you haven't achieved those things you're not going to achieve the other thing.
You have to design a story that might appear on the front page of the newspaper for the website. You don't have to design it in such a way that it can be self contained, that it makes sense if you never hit the front page of it.
In Spain, when we're successful, we're on the front page of the newspaper. Every newspaper. But when we lose, we're slated, the same as the men. That's the level the game is at.
I know I'm missing something, but those who have children are missing what I get to do. And frankly, I'm probably missing more of what I don't want than what I do. Some may call me selfish or narcissistic, but I don't want to spend my time going to PTA meetings. The only way I could have children and do the work I do is to have a househusband - and I'm not attracted to a househusband. I'd rather affect children with the work I do.
At times I believed that the last page of my book and the last page of my life were one and the same, that when my book ended I'd end, a great wind would sweep through my rooms carrying the pages away, and when the air cleared of all those fluttering white sheets the room would be silent, the chair where I sat empty.
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