A Quote by Clifton Collins, Jr.

I love researching, whether it's old Western documentaries or old Western country singers or John Ford Westerns, which are heavily influenced by family values, which so many of these country songs are related to.
I love researching, whether it's old Western documentaries or old Western country singers or John Ford Westerns, which are heavily influenced by family values, which so many of these country songs are related to. I'm having a good time doing that, and writing some treatments and hoping to bring a new style of music video to the country genre, that is starting to become very poppy.
I'd love to do a Western. A real Western like John Ford used to do. There's not too many of them made, so I don't know if I'll ever get to do that. They're awfully hard movies to make.
The Westerns have probably affected me more than any one thing, Western-related material. I love Westerns.
I prefer the old masters, by which I mean John Ford, John Ford, and John Ford.
I tend to lean more towards the Westerns of the 40s and 50s as opposed to the 60s and 70s. They get a little too drab for me when you get into the Spaghetti Western era. I love the John Ford movies. I love the music. I love the scope.
I loved Westerns for different reasons as an adult. It is not only our only native brand of storytelling - the only one that's not influenced by Europeans and not something that's done better by the French - but I also love the sensuality of the Western. The sights, sounds, and smell of a Western are very exciting.
Country and western is the music of the devil. That's the real truth of the matter. My late Mother, bless her, loved country and western. God, I couldn't handle it.
Country and western is the music of the devil. Thats the real truth of the matter. My late Mother, bless her, loved country and western. God, I couldnt handle it.
I listen to a lot of really old western and country music. Theres a lot of cool stuff in there all the heartbreak of the country darkness.
I listen to a lot of really old western and country music. There's a lot of cool stuff in there... all the heartbreak of the country darkness.
I decided to write Westerns because there was a terrific market for Westerns in the '50s. There were a lot of pulp magazines, like 'Dime Western' and '10 Story Western' that were still being published. The better ones paid two cents a word. And I thought, 'I like Westerns.'
Country artists, I met a lot of them when I was five, six years old. I had an uncle who was a country and western singer and I met Lefty Frizzell when I was five or six years old in those shows that would come through Toronto from Nashville.
Of course such a failed state as Indonesia is fully supported by Western academia and the mass media, because it does what it is told to do: it became a huge, brainwashed country, which is now plundering and exporting its riches, while not even having a clue that many parts of the world are now fighting for true independence from Western tyranny, and for socialism.
If I'm writing songs for a country-Western picture, I have to know about country music.
Typically, in Westerns, people who are in a Western feel like they're in a Western. It's almost like they know they do all these Western things.
I would love to make a bunch of country demos and write country songs for really great country singers.
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