A Quote by Clifton Fadiman
The kind of poetry to avoid in the pretty-pretty kind that pleased our grandmothers, the kind that Longfellow and Tennyson, good poets at their best, wrote at their worst.
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We get so worried about being pretty. Let’s be pretty kind. Pretty funny. Pretty smart. Pretty strong.
It's pretty easy to kind of lose your way. Having kids is really helpful. They kind of disabuse you of the notion of your greatness pretty quickly.
I don't like the word 'poetry,' and I don't like poetry readings, and I usually don't like poets. I would much prefer describing myself and what I do as: I'm kind of a curator, and I'm kind of a night-owl reporter.
I was a pretty nerdy kid. I was pretty nerdy. I'm still kind of nerdy. I have all of the worst qualities of being a nerd - all of the affect and none of the smarts. I'm a useless nerd! That's pretty bad.
I think it's very pretty. Can it be pretty if no one thinks it's pretty? I think it's pretty. If you're the only one? That's pretty pretty. And what about the boys? Don't you want them to think you're pretty? I wouldn't want a boy to think I was pretty unless he was the kind of boy who thought I was pretty.
I'm a pretty good drummer. I'm pretty good at guitar, bass and piano. I can play accordion; I'm not virtuoso. I've played cello before. My sister played it, and I know how to play it, but I'm not the best. Violin is kind of the same thing.
I'm kind of a boring person. People think I get to travel the world and I rap or whatever, but I'm pretty boring. My life is pretty crazy enough, and when I'm not on the road or doing something, I'm kind of boring.
What strikes me is that 'XIII' looks like a movie. The shot making is movie-like, which is kind of fun - the kind of playful action movie shot making is pretty, is pretty good. What's also great about this game is its style and interesting story-line.
It is the history of our kindnesses that alone make this world tolerable. If it were not for that, for the effect of kind words, kind looks, kind letters . . . I should be inclined to think our life a practical jest in the worst possible spirit.
Barry Crump wrote a lot of books and they were really special. They were kind of the quintessential, mild for the most part, kind of southern man, kind of the true heart of what it meant to be a Kiwi kind of farmer; very kind of outdoor man living off the land. That kind of thing, you don't see so much anymore these days with everyone being metrosexual and lattes and laptops.
What I wrote all the time when I was a kid - I don't want to call it 'poetry,' because it wasn't poetry. I was not that kind of a writer. I was a rhymer. I was a fan of Dorothy Parker's, so maybe I wrote poetry to that extent, but my main focus was the humor of it, and word construction, and the slant. Your words, it's a very powerful experience.
Anyone who has the kind of inventive and inspired comic sensibility to be able to do that kind of work must be pretty talented.
Growing up, people would always say, 'You have such a pretty face.' It's kind of backhanded. That's the kind of things we have to stomach.
Besides kind of like the Wes Anderson, or, of course, a lot of the European movies, most everybody in the States, the big studios, make pretty much the same film. And we're kind of held to Pixar standards, or Disney standards, as it's kind of always been in the animation industry.
There is a pretty interesting document called 'action writing.' Which is not all about spontaneity and first thought, best thought,' but a certain kind of attention to the smallest increments of the phonemes of language, The kind of power of connection, what he is able to do with language.
I kind of disguise my limitations by hanging out with very talented people. The excitement of the collision between the microphone-twirling guy from 1966 to now is just a fantastic adventure. There aren't many of us left and I've managed to kind of cover my tracks pretty good.
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