A Quote by Clint Eastwood

You spend your life training to be an actor, observing people's characteristics so that you can design characters around what you've seen. — © Clint Eastwood
You spend your life training to be an actor, observing people's characteristics so that you can design characters around what you've seen.
The muscularly developed actor is not seen as a serious actor although he should be seen as a serious actor because he has been preparing for these muscular roles his entire life. If you can dedicate years of your life to hitting the gym and dieting and eating right you can definitely take a movie role seriously.
The best preparation for acting is life - observing life and people and observing yourself. All that becomes your library. So when you have to research a part, a scene or an emotion, you go into the library and get what you need.
I'm an actor, and I keep observing people and their reactions to figure out what they are thinking. There's only so much you can do on your own, so you have to keep learning. Art imitates life.
When you're training as an actor, a lot of the big work you're learning is to treat fictional characters like real people. You don't have the problem of discovering a backstory with real people, but there's always a mystery which is common to both fictional and factual characters. They are never quite the person you think they are.
When you sit down to design something, it can be anything, a car, a toaster, a house, a tall building or a shoe, what you draw or what you design is really a culmination of everything that you've seen and done in your life previous to that point.
Spend at least some of your training time, and other parts of your day, concentrating on what you are doing in training and visualizing your success.
For an actor, it is necessary to vegetate and look for inspiration. I get that from travelling, meeting people, and observing things around me. I bring back my energy by gaining different experiences.
Make sure your characters are worth spending ten hours with. That’s how long it takes to read a book. Reading a book is like being trapped in a room for ten hours with those characters. Think of your main characters as dinner guests. Would your friends want to spend ten hours with the characters you’ve created? Your characters can be loveable, or they can be evil, but they’d better be compelling. If not, your reader will be bored and leave.
When you're an actor, you do get involved with your characters - your emotional life is tied up with theirs, and so is your physical life.
I would urge everyone to start looking at the world in a different way. Spend some time looking at everyday objects, at their design, their shape, their individual characteristics. Think ahead and imagine their significance.
As an actor or anybody as a human being, I feel more and more like I want to spend time doing something significant. Because what's the alternative? Spend your life wasting your time.
Everybody has the clarity of telling I haven't seen a player like Lionel Messi, and I am fortunate for training and seeing him every day at the training field. And even sometimes he surprises you with some good performances. There is not comparison with other players I have seen along my life. He is unique.
I am really influenced by normal, simple, everyday life and people, like the Biji and Dolly in 'Vicky Donor,' who used to drink and say whatever they felt like. These characters were so lively. I have seen these people around me.
In the city, you're always looking around, observing everything. In some neighborhoods, your life can depend on it. The details change constantly.
Received wisdom is that if you spend time up front getting the design right, you avoid costs later. But the longer you spend getting the design right, the more your upfront costs are, and the longer it takes for the software to start earning.
My opening line to my students, and a recurring theme in my classes, was that the big design problem isn't designing a house for your parents or yourself, a museum, or a toaster, or a book, or whatever. The big design problem is designing your life. It's by the design of your life that you create the backboard off which you bounce all your thoughts and ideas and creativity. You have to decide what it is that you want to do each day.
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