A Quote by Clint Eastwood
Hollywood seems to succumb to fads. Well, action films do well. Give me violence. Give me a scene where there's a couple of car chases or shooting and stuff like that. They're forgetting the fact that there's a basic structure to a story that is essential to making it really broad and appealing.
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I've always been terrified of violence which is probably why I keep making violent films - I'm trying to exorcise some demons or something. My mum ended up bringing me up on the edge of a big estate in south London, so I was on the periphery of violence - a lot of football violence and stuff because I was a Millwall supporter. So I've always had a very healthy fear of it, yet at the same time a fascination. I think in all of my films that's a really strong subtext... people who are terrified by violence but are yet compelled by it as well.
There's this inherent screenplay structure that everyone seems to be stuck on, this three-act thing. It doesn't really interest me. To me, it's kind of like saying, 'Well, when you do a painting, you always need to have sky here, the person here and the ground here.' Well, you don't.
I was well aware that I am just a normal girl and it's not like filmmakers are waiting to offer me films. No designers are dying to give their clothes to me. I knew I was making my debut opposite a star kid who was already famous, and it would be difficult for me to get noticed.
I feel like, if I'm being honest with myself, my biggest skill set is as a writer 'cause I can do that quickly and I'm really grounded in story structure. Part of my success as an actor, is that I know story well. Part of my success as a director, is how well I know story. Same thing, as a producer. It all begins and ends with me as a story creator. But, I love doing it all.
There were a couple of times, leading up to shooting [Ordinary World], where I was like, "Oh, my god, what did I get myself into? Hopefully, I don't ruin this guy's precious script." And then, after a couple of days of shooting, I started getting in the groove of it and it was really fun. I love being a rookie at stuff. It makes it feel vital. I love doing things I've never done before, and I love making stuff.
Films have been my only passion in life. I have always been proud of making films and will continue taking pride in all my films. I have never made a movie I have not believed in. However, though I love all my films, one tends to get attached to films that do well. But I do not have any regrets about making films that did not really do well at the box office.
So when somebody asks me to make a decision about a situation, I don't offer a solution, I ask a question: What are our options? Give me the good, give me the bad, give me the pretty, give me the ugly, give me the impossible, give me the possible, give me the convenient, give me the inconvenient. Give me the options. All I want are options. And once I have all the options before me, then I comfortably and confidently make my decision.
If my films don't do well, nobody is going to give me films.
Although shooting action-packed movies is a physically hard job and I repeat movements over and over, those action scenes alone, regardless of rest of the story, gives visual pleasure to viewers. They also give some satisfaction to me as an actor.
I was driving in Manhattan. There's traffic, nobody's moving... The guy behind me is honking just at me. He kept yelling at me. I decided that I'm gonna argue with this guy, but I'm gonna argue about something else. I'm not having his argument; I'm having mine. So, he's like, 'Go!' And I go, 'Well give me back my jacket!' And he stopped. I was like, 'Yeah, you got my jacket! Give it back! I said you could borrow it, not have it! You're stretching it out, you fat pig! Give it back, now!' He got back in his car, and he locked his doors.
I enjoy doing action a lot more because my films have a sense of violence. That's because I have a broad structure, and if I hit someone, it looks believable. Maybe my contemporaries are meeker-looking in comparison.
Give me love Give me love Give me peace on earth Give me light Give me life Keep me free from birth Give me hope Help me cope, with this heavy load Trying to, touch and reach you with, heart and soul
The new energy future is decentralised, entrepreneurial and needs people like you to say 'Give me a clean car, give me solar shingles to put on my roof - give me a clean future'
I was overwhelmed. He understood me so well, how nervous I was about making this commitment, how frightening it was for me to become a princess. He was going to give me every last second he could and, in the meantime, lavish me with everything possible. I had another one of those moments when I couldn't believe this was all happening. "That's not fair, Maxon," I mumbled. "What in the world am I supposed to be able to give you?" He smiled. "All I want is your promise to stay with me, to be mine. Sometimes it feels like you can't possibly be real. Promise me you'll stay." "Of course, I promise.
It's funny what you really see when you're the subject of the completely bizarre gossip magazine industry. It's just like, 'WHAT?!?' All this stuff with Emilie [de Ravin, his costar in Remember Me] as well. The tabloids say stuff like 'They went on a date to an Indian restaurant.' We were doing a scene! There's a film crew there!
With action films, it's great if it's not just driven by action, but by a good story and interesting characters, as well. Though, there's nothin' like kicking butt!
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