A Quote by Clint Eastwood

I was kind of a little disappointed when they started building a competition between Marty (Martin Scorsese) and me. I have the greatest respect for him and all the films he's done over the years.
Our professor was Marty Scorsese. Marty was a graduate student, or Mr. Scorsese, which is what I had to call him, and still do when I see him 'cause he gave me a C.
I love Martin Scorsese, but there's another indication of what The Oscars are all about. They've ignored Martin Scorsese for going on 35 years now, and I wouldn't be surprised if they passed him over again. He'll get one of The Oscars they give you at the end of your life because they feel guilty for never giving you an Oscar.
For me, my realism has stood me over 15 years, so the kind of films that I have done has garnered enough respect for me to be able to survive the industry.
When we were cutting 'Raging Bull,' Martin Scorsese was watching 'The Films of Hoffmann' on a 16-mm print over and over and over again.
I love watching Marty Scorsese's films, but they always make me feel terrible about being a man.
From the moment I met Martin Scorsese in 1962, he educated me about the films that had taught him so much about filmmaking. He had been deeply affected, even as a child, by great films that stretched his mind and struck into his heart, and he was eager to share them with friends and people who worked with him or with actors who were in his films.
At one point, I got to work as an assistant for Martin Scorsese: He wanted to know about all the films coming out, so I would make clippings and put it all in a big scrapbook for him. I was also in charge of his video library - it was like a little video store, and his friends and colleagues would come and borrow films.
Martin Scorsese was very much the actor's director. We were all very in awe of Martin Scorsese.
Well into the '40s, it wasn't uncommon for big-budget Hollywood movies to contain little or no underscoring, and many of today's directors, following the lead of Martin Scorsese in 'GoodFellas,' accompany their films with pop records, not original music.
I did 'Gangs of New York' with Martin Scorsese, and they used to call me 'Little Joe Pesci' on the set.
The studios are nervous on every movie. It never ends, because Marty's movies are so unusual. He doesn't repeat himself, so they don't know what to expect. We have to fight hard to keep them from being ruined. Film students can't believe that when I tell them, because they think, 'Well, it's Martin Scorsese.'
Martin Scorsese was being given an honorary doctorate, and one of the tutors asked if there was a student film he particularly liked. He mentioned our film. There was a dinner after the final show just for the tutors, but I was smuggled in to meet Scorsese over dessert.
I think that's kind of nice that there's this kind of inherent respect between runners who do a marathon. People respect somebody who has done it, and I will do anything to get some respect because I don't get a lot respect in my life.
Actually, I can't stand watching violent scenes in films; I avoid watching horror films. I don't tend to watch action films mainly because I find them boring, but I watch the films of David Cronenberg and Martin Scorsese, usually in a state close to having a heart attack. I'm a complete coward. I make violent films as a result of my sensitivity to violence - in other words, my fear of violence.
My brother Martin is two years younger than me. There has never been any competition between us - clearly he was the good-looking one; he was also very sporty, and I am not a football player.
As you can imagine, between Michael Powell and Martin Scorsese, I've had quite a rich life!
This site uses cookies to ensure you get the best experience. More info...
Got it!