A Quote by Clint Eastwood
Conflict is the basis of drama. I guess that goes back as long as time has existed as far as mankind is concerned, dating back to the Greek tragedies or the Old Testament. And violence is a form of conflict, so whether that's catharsis or whether that has some socially damaging effect on audiences - I suppose that would just depend.
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So let us decide whether you want a shelter, a safety zone, which will no longer yield conflict, whether you want to escape from the present conflict to enter a condition in which there shall be no conflict; or whether you are unaware, unconscious of this conflict in which you exist. If you are unconscious of the conflict, that is, the battle that is taking place between that self and the environment, if you are unconscious of that battle, then why do you seek further remedies? Remain unconscious.
I've been around a long time and I've found that these forms, whether it's the cartoon, or whether it's a play, or all these dying forms refuse to die. Something happens to rejuvenate them and it will certainly happen to the political cartoon. It will come back. But whether it's on the internet, or whether it's in some other form, however that works, whether it looks the way it looks now, or entirely different, I have no idea. And thank God I don't have to worry about it.
What's interesting to me is drama and conflict. Things aren't interesting without conflict and resolution of conflict - or striving towards a resolutions of conflict.
Drama is always conflict. Conflict either comes from within or without. The thing that makes a show different is the conflict manifests itself both internally and externally.
I've always been interested in the Greek tragedies. A few years back, I re-read a translation of the 'The Oresteia,' and that stayed with me, and slowly this idea of using some of those old legends and plays to tell a new story about modern urban life began to form.
I don't really buy the death-drive thing too literally; it feels overly neat and convenient. But I am suspicious of fighting back being the dominant model for cinematic conflict and personal conflict and political conflict.
The world is rapidly being divided into two camps, the comradeship of anti-Christ and the brotherhood of Christ. The lines between these two are being drawn. How long the battle will be we know not whether swords will have to be unsheathed we know not whether blood will have to be shed we know not whether it will be an armed conflict we know not. But in a conflict between truth and darkness, truth cannot lose.
When a novelist or screenwriter is looking for a subject, the element he's seeking is conflict. Conflict makes drama. Conflict produces great characters and memorable scenes. So war is a natural topic.
If we are to include the outer and the inner struggle in a conception more definite than that of conflict in general, we must employ some such phrase as 'spiritual force.' This will mean whatever forces act in the human spirit, whether good or evil, whether personal passion or impersonal principle; doubts, desires, scruples, ideas-whatever can animate, shake, possess, and drive a man's soul. [19]In a Shakespearean tragedy some such forces are shown in conflict.
I'm not sure about whether Ukraine will ever be joining. As long as there's a frozen conflict on Ukrainian territory, they can't possibly join. And that's probably one of the reasons why Vladimir Putin is interested in having a frozen conflict there, so that there is no border security.
All the Greek mythic heroes had gone east, but they were myths. Achilles was a myth. Perseus, Theseus, Hercules... they probably existed in some form. But they all went east. That's where a Greek went to make his bones so to speak. And Alexander the Great was the first man who actually went east not to plunder, not to loot and come back to Greece - which is where the Macedonians wanted to go back with the money. He stayed. And he became half-Eastern.
Our lives are not dependent on whether or not we have conflict. It is what we do with conflict that makes the difference.
Conflict is entertaining and it's the stuff of drama - or comedy - but too much conflict, or conflict that's at too high a pitch can get annoying.
The roles I'm interested in or have been interested in, you know, it's going to get down to conflict. Drama is conflict - conflict of interests.
Over time, many CEOs realize that being able to quickly and effectively confront conflict in their company is a leadership opportunity because people's respect often rises and falls on whether their leader deals with conflict head on or avoids dealing with it.
In a lot of Western science fiction, you need some form of conflict, whether it's aliens or robots. I think in Western culture, being more suspicious of science, and hubris, you'll see a lot of fear of creating something that goes out of control.
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