A Quote by Clint Eastwood
There's something about the first time an actor runs the material over his or her face you know when they kind of run it through their eyes and you see the thing and there is little imperfections in it and not every line is delivered perfectly, and it doesn't have that mechanical feeling.
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I can't really believe that it's over. "I'll speak for her." Every face turns to where Sean Kendrick stands a little apart from the crowd, his arms crossed. "This island runs on courage, not blood," he says. His face is turned towards me, but his eyes are on Eaton and his groups. In the hush after he speaks, I can hear my heart thudding in my ears.
I leaned forward and kissed him. His eyes widened, then his lips parted and he kissed me back, mouth warm and firm against mine and that floating feeling washed over me and through me, and it was so amazing that when it ended, I just stayed there, my face so close to his I could feel his breath, see those incredible amber eyes, and that was all I could see, all I wanted to see.
The urge at that moment to reach across and touch Willow--to link his fingers through hers as she rested her hand on her thigh, or stroke her bright hair back from her temple--was almost overpowering. He crossed his arms over his chest. "Yep, definitely time for a coffee break," he said, closing his eyes. "You see right through me.
“Run,” he whispered. “Run.” “No, Rand,” I said, brushing the dirt from his face. “I’m tired of running.” “Forgive me, please.” He clutched my hand as his eyes beseeched me through tears of pain. “You’re forgiven.” He sighed once, then stopped breathing. The shine in his brown eyes dulled. I pulled his hood over his head.
Dimitri. I hadn't known he was here. His eyes were on me too,dark and endless. Only I couldn't read what he was feeling. His face betrayed nothing, but there was something in his eyes...something intense and intimidating. The image of him ready to take down that group of guardians flashed through my mind,and something told me that if I asked,He would fight his way to me through this courtroom and do everything in his power to rescue me from it.
[Irony] has everything to do with what Tillie Olsen so powerfully imagined in her short story, "As I Stand Here Ironing" and elaborates on polemically in her 1978 book, Silences, in a chapter first delivered as a talk in 1967. As Olsen clearly saw it for women, my not being a writer was a material consequence of my being a woman - a wife, mother, housewife, and a certain kind of feminist teacher - attentive, one-on-one, face-to-face, nurturing, the kind who receives high ESCI evaluation scores from undergraduates and graduate students.
She looked up at him and her face was pale and austere in the uplight and her eyes lost in their darkly shadowed hollows save only for the glint of them and he could see her throat move in the light and he saw in her face and in her figure something he'd not seen before and the name of that thing was sorrow.
Some of the memories were not clear - -dim human memories, seen through weak eyes and heard through weak ears: the first time I'd seen his face... the way it felt when he'd held me in the meadow... the sound of his voice through the darkness of my faltering consciousness when he'd save me from James... his face as he waited under a canopy of flowers to marry me... every precious moment on the island... his cold hands touching our baby through my skin.
They kissed for the first time then in the cold spring rain, though neither one of them now knew that it was raining. Tristran's heart pounded in his chest as if it was not big enough to contain all the joy that it held. He opened his eyes as he kissed the star. Her sky-blue eyes stared back into his, and in her eyes he could see no parting from her.
Melanie still grieves for Jared," she stated. I felt my head nod without willing the action. "You grieve for him." I closed my eyes. "The dreams continue?" "Every night," I mumbled. "Tell me about then." Her voice was soft, persuasive. "I don't like to talk about them." "I know. Try. It might help." "How? How will it help to tell you that I see his face every time I close my eyes? That I wake up and cry when he's not there? That the memories are so strong I can't separate hers from mine anymore?
I go back to things all the time. It's really nice, too, like when I'm going through some kind of a writer's block, and I'm feeling uninspired, I go to some of my oldest songs from over the years and sift through them, and one thing that's very nice is to see how I've grown up a little bit. A little bit.
I did, one time, over the past couple years look into maybe doing a little something in a Royal Rumble, just kind of as that, so that could be my last chapter, so the last time you see me is, y'know, this little thing, and it didn't work out.
I turn around from the window and for the first time I see him... It is Richard, smiling at my surprise. I run to him, without thinking what I am doing. I run to the first friendly face that I have seen since Christmas, and in a moment I am in his arms and he is holding me tightly and kissing my face, my closed eyes, my smiling mouth, kissing me till I am breathless and have to pull away from him.
Every man has a weakness," he patiently explained. "I'll find theirs, I promise you." "Every man?" "Yes," he answered emphatically. His hand moved to the back of her neck. Twisting her curls around his fist, he jerked her head back. His face loomed over hers, his breath warm and sweet as he stared down into her eyes. "What is your weakness, Brodick?" she asked. "You.
I don't think I'm a home run hitter. Most of my home runs are line drives. If I hit it, thanks God. But it's not the kind of thing that I think about. I just go out there and try to have a better season than I had before. Home runs are not in my mind.
And I know I’ve lost. Everything is lost. Everything is over. “As the newly appointed President of this fair planet of ours,” the Mayor says, holding out his hands as if to show me the world for the first time,” let me be the very first to welcome you to its new capital city.” “Todd?” Viola whispers, her eyes closed. I hold her tightly to me. “I’m sorry,” I whisper to her. “I’m so sorry.” We’ve run right into a trap. We’ve run right off the end of the world. “Welcome,” says the Mayor,” to the New Prentisstown.
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