A Quote by Clint Eastwood

I just kind of had my own impressions growing up with Hoover as a heroic figure in the 40s - actually the 30s, 40s, and 50s and beyond - but this was all prior to the information age so we didn't know about Hoover except what was usually in the papers, and this was fun, because this was a chance to go into it [ during filming 'J. Edgar Hoover' ]
I had not been very kind to J. Edgar Hoover. And the field agent had written on - it was sent directly to Hoover - that - the director should see this - `And, besides, Hentoff is a lousy writer.' And I thought that went a bit far.
It's an incredible education [for the movie J. Edgar Hoover] . It was like I did a college course on J. Edgar Hoover but not knowing and understanding the history and reading the books, but understanding what motivated this man was the most fascinating part of the research.
We're interested in complex characters and he's a complex character, [J. Edgar] Hoover. I like these types of dramas. I've made a few of them and I'm also interested in power structures so it just has elements that fascinate me, and the more you learn about Hoover, the more polarizing you realize he is.
The ideas embodied in the New Deal Legislation were a compilation of those which had come to maturity under Herbert Hoover’s aegis. We all of us owed much to Hoover
I was working with Bryan Cranston in 'All the Way.' We were about to make an entrance together - I was Hoover, he was LBJ - and he says to me, 'You should play the brother in 'Better Call Saul.' I was like 'What?' and it was time to go on. I'm doing the scene, and I can't think of what Hoover's supposed to say.
All Coolidge had to do in 1924 was to keep his mean trap shut, to be elected. All Harding had to do in 1920 was repeat Avoid foreign entanglements. All Hoover had to do in 1928 was to endorse Coolidge. All Roosevelt had to do in 1932 was to point to Hoover.
Also, with information having just come out at the time about J. Edgar Hoover's electronic surveillance of Dr. King, it gave greater weight to the statements of those persons who were alleging involvement of the FBI.
I'm so happy, I think I'll dress up like J. Edgar Hoover and sing show tunes.
My favorite decade of cinema would be kind of the '40s, yeah. I like things in the '30s, but you know, the sound recording in the '30s wasn't very good. But for some reason the movies in the '40s have the best personalities: Jimmy Stewart, Gary Cooper, Betty Grable, Gene Tierney, and all those people. For some reason, I seem to gravitate more toward the '40s, and I don't necessarily know why. I just love the people.
I have great respect for the FBI, and I know that there have been some rumors lately that the FBI was disenchanted because of what we were doing in story, or doing a certain take: that's not true. Actually the FBI was tremendously enthusiastic about us doing [ J. Edgar Hoover ] film.
There was one moment when J. Edgar Hoover and us had the same distorted lens about who we were - "a real threat," you know? He thought so and we thought so and we were buddies in that regard.
They [FBI] had a lot of clippings, a lot of articles I'd written. And to me the - the funniest one was - I had done a piece for Playboy about J. Edgar Hoover.
[ J. Edgar]Hoover, I'm sure, felt that he was right in everything he did and even the things that we don't like about his character.
In your 40s, you kind of know how things are likely to go, and you're better at saying, 'You know what? That just doesn't suit me...' I remember thinking in my 30s, 'I should go to Burning Man. I could be a Burning Man person.' And in my 40s, I'm like, 'You know what? I'm never going to go to Burning Man.'
It's interesting in this day and age to do a film about political espionage and wiretapping. I don't think that those types of secrets that J. Edgar Hoover was able to obtain and keep for such a long period of time would be possible in today's world, with the Internet and WikiLeaks.
Complex man that he was, J. Edgar Hoover left nothing to chance. The director shrewdly recognized that building what became known as the world's greatest law enforcement agency would not necessarily keep him in office.
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