A Quote by Clint Eastwood

I love stories about women. — © Clint Eastwood
I love stories about women.
I love stories about women, and I think stories about women are generally pretty underrepresented.
We need more female directors, we also need men to step up and identify with female characters and stories about women. We don't want to create a ghetto where women have to do movies about women. To assume stories about women need to be told by a woman isn't necessarily true, just as stories about men don't need a male director.
Long before I became a feminist in any explicit way, I had turned from writing love stories about women in which women were losers, and adventure stories about men in which the men were winners, to writing adventure stories about a woman in which the woman won. It was one of the hardest things I ever did in my life.
Somebody asked me earlier if I thought it was really important to tell stories about women's struggles. And I said yes, but at the same time, it's also important to tell stories about women's triumphs, women being slackers, women being criminals, women being heroes.
I have been watching how Indian women are forced to do certain things, as the stories of sacrifice and devotion in mythology demand from them. And then there are inspiring stories about women like the Rani of Jhansi that offer women refreshing role models.
I love stories of female empowerment. I love stories of, "Hey, I'm an ordinary person." "No, you're not!" I love stories about not knowing you have it in you, but when called to task, you rise and you find out who you are.
Our culture is bloodthirsty for stories about women in pain; we hunger for women to expose their traumas and to be rescued by the love of a good man.
What I like about the '60s movies was that they were about women. They were telling women's stories. I think a lot of movies don't tell women's stories anymore.
Well, religion has been passed down through the years by stories people tell around the campfire. Stories about God, stories about love. Stories about good spirits and evil spirits.
I love telling stories; I always have, and I think women need to be more proactive about telling their own stories and sharing their points of view.
There's something really unique about Orphan Black is that it has a lot of female leads, so it's about a lot of women's stories, but it's not women’s stories in terms of trying to find a guy or keep a guy; it's about entirely other things.
There's something really unique about 'Orphan Black' is that it has a lot of female leads, so it's about a lot of women's stories, but it's not women's stories in terms of trying to find a guy or keep a guy; it's about entirely other things.
I love telling stories; I always have, and I think women need to be more proactive about telling their own stories and sharing their points of view. So that's definitely a goal for me.
At the beginning of my career, a more senior photographer told me to shoot stories on women and I didn't want to. But I spent two and a half years in India and chose to do stories about women because I was shocked by their treatment. My stories in the Middle East and on the border of Europe and Asia were a response to my time in India. They weren't driven by a feminist idea but when you're moved by women's issues in these countries you can't help becoming a feminist somehow.
I really love stories about women.
I love stories about teachers. For some reason I can't get enough of those kind of stories. If I turn a movie on about a teacher, I love it. I love that idea of an adult influence on kids.
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