A Quote by Clint Eastwood

I like Italian movies. I was frequently there in the '60s, in Rome and the vicinity. It was a great period in life. I was very influenced by their stuff. — © Clint Eastwood
I like Italian movies. I was frequently there in the '60s, in Rome and the vicinity. It was a great period in life. I was very influenced by their stuff.
I was seduced by the nouvelle vague, because it was really reinventing everything. And the Italian cinema that one would see in the theaters in the late '50s, early '60s was Italian comedy, Italian style, which, to me, was like the end of neo-realism. I think cinema all over the world was influenced by it, which was Italy finding its freedom at the end of fascism, the end of the Nazi invasion. It was a kind of incredible energy. Then, late '50s, early '60s, the neo-realism lost its great energy and became comedy.
I was influenced by American movies of the '60s and '70s, especially Don Siegel's 'Dirty Harry' and the films of Sam Peckinpah. And, of course, a lot of the film noir movies of the '40s.
There are a lot of period movies where they say, 'This is a portrait of Lady Whatever.' And it's done in like a 1950s or 60s style.
Right now, we happen to be in a general period of regression, not just in education. A lot of what's happening is sort of backlash to the 60s; the 60s were a democratizing period.
I like to shoot beautiful things. My two previous movies were one in the '60s, the other one in the '50s, and this one is in the '20s. This is a period that's very cinegenic. The cars, the props, the suits, the haircuts, the dresses, everything, and it gives you pleasure to compose frames with that material. The music, I really love jazz, so for me, when you have good materials and nice things, it's very pleasant.
Always the light fixtures I love are Italian, from the '50s and '60s. I'm like, 'What's that? I want it!' And it's always $40,000 vintage Italian.
I was very influenced by movies; I was very influenced by a world that had a sense of dream.
I just love glamour so any time period that had a lot of excess and glamour, I draw inspiration from. All the stuff from the 60s and 70s, very specific times in the 80s.
I have a suspicion, because if you look at the whole, all the [Star Wars ] movies, the backlog of every one of these movies, there's a lot of great stuff, but one might not be not as good with the writing in this or the acting in that or the directing in that, this has great actors, great directors, great script, and I really feel like we're gonna make the best one [movie with Young Han Solo].
I think every culture - you can call it an American Ronin, a medieval knight errant, you could talk about 'Shane.' There is an archetype that I think is actually common to a lot of cultures, and even the Clint Eastwood stuff was probably as influenced by the Japanese stuff, and yet done by an Italian.
We were raised in an Italian-American household, although we didn't speak Italian in the house. We were very proud of being Italian, and had Italian music, ate Italian food.
In the '60s and '70s it was a great period for American films because studios were still run by individuals who worked off the seat of their pants and went along with things. At that time, they were very uncertain about what to make because of the influence of television. A lot of really terrific movies were made. But then the studios gradually became more corporate and were owned by corporations and run in that way and now they're very nervous. You see what they make - sequels, franchises and try not to take risks.
There was so much great music around in the 60s, stuff like The Small Faces, but I also love The Jam.
There was so much great music around in the '60s, stuff like The Small Faces, but I also love The Jam.
The '60s is one of my favourite eras in general. I love '60s music, and I've always wanted to do a period film.
I'm certainly very influenced by what you would call "contemporary headline horror," stuff that is true crime or for one reason or another catches our attention in the media, those strange cases that we end up obsessing about. I'm always influenced by weird anecdotes and news. And, you know, lastly, probably things that have happened to me in my own life.
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