A Quote by Clint Eastwood

I always liked characters that were more grounded in reality. — © Clint Eastwood
I always liked characters that were more grounded in reality.
There is always going to something very grounded about the characters I play, because of my Chicago roots, because the city is so grounded. Even my wife pointed it out when we were in the city, she said that even the architecture is grounded in Chicago, it's so solid. Because it has to deal with winters. There is something about Chicago that keeps people centered and grounded.
I'm always the "less is more" guy when it comes to a scene. So I'ma be the one who will keep it grounded. Even if I let it go off and go crazy, I'm still the voice of keeping things grounded in reality.
I like playing these characters who are just on the edge of ridiculous but always grounded in reality. I would never want to come across as a cartoon.
I liked Batman because he was more grounded. I never liked Superman much or Captain Marvel or Shazam.
People frequently believe the creative life is grounded in fantasy. The more difficult truth is that creativity is grounded in reality, in the particular, the focused, the well observed or specifically imagined.
Perhaps it's because I am reading romance differently than I did when I was younger, but I like my characters older. Grounded in reality. And nothing is more real than kids.
It always sounds kind of trivial, but when I was a kid I was always so impressed by how serious the comic books were. I always liked how they were half way between literature and the cinema. I liked the visuals and I liked the simplicity of a certain type of moral dilemma.
I have always liked kind of outsider characters. In the movies I grew up liking, you had more complicated characters. I don't mean that in a way that makes us better or anything. I just seem to like characters who don't really fit into. You always hear that from the studio: "You have to be able to root for them, they have to be likeable, and the audience has to be able to see themselves in the characters." I feel that's not necessarily true. As long as the character has some type of goal or outlook on the world, or perspective, you can follow that story.
I liked just being with you. I liked the way you breathed when you were asleep. I liked when you took the champagne glass from my hand. I liked how your fingers were always too long for your gloves.
When I did 'Fast Times,' I felt very close emotionally to the characters. I liked those characters because they all had to work, so they were dealing with adult problems even though they were very immature, and I could relate to that.
I want all of my films to be grounded in reality, and I think 'Midnight Special' is the most grounded film I've ever made, in spite of its genre.
I spent a lot of time quasi-fascinated with characters who were super-dumb and super-cocky. I always liked that combination.
I've always liked shape-shifter characters. I gravitated towards characters like Mystique from 'X-Men,' Zam Wesell from 'Star Wars,' and Tonks from 'Harry Potter.'
We are grounded in the reality of the day and grounded in the technology of the day. Just saying 'turn the taps off' is not acceptable to humanity.
More eccentric characters can push pretty far, but if you stay on the side of reality, it's always funnier.
I've always really liked theater. It fascinated me. You can create a reality and get people involved in that reality. It takes place in real time.
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