A Quote by Clint Eastwood

It's always appealing to play a character that has to overcome himself as well as an obstacle. It makes the drama so much deeper. — © Clint Eastwood
It's always appealing to play a character that has to overcome himself as well as an obstacle. It makes the drama so much deeper.
Man makes himself, and he only makes himself completely in proportion as he desacrilizes himself and the world. The sacred is the prime obstacle to his freedom. He will become himself only when he is totally demysticized. He will not be truly free until he has killed the last god.
Authoritarians have always been here. But the features of a given moment make that way of thinking more or less appealing. Germany in the 1920s, when people are starving, suddenly makes 'populist' answers and scapegoating different groups as the source of the problem much more appealing.
There is always drama and there will always be drama, but its the way its presented in my head that makes it so interesting. Everyone gets their time in the middle of the drama.
I love when there's an obstacle to overcome, even for the audience to actually empathize with that character. I find that interesting, and then, how to work around that and make them relatable. That's something that you have to dig into the moments and into the performances and see how to play those situations that make them relatable.
Success is a tale of obstacles overcome, and for every obstacle overcome, an excuse not used.
I think in many ways president Trump views himself as someone who has the ability to overcome every obstacle and to do something that no other president has been able to do. And I think that's the way he views himself, as it relates to his legacy and how history will view him.
Contradiction is the heart and soul of character and drama. You're always looking for it. I loved her so much I hit her; that's character. I loved her so much I hit her again; that's even more character.
The only use of an obstacle is to be overcome. All that an obstacle does with brave men is, not to frighten them, but to challenge them.
There's always that time in football where people say that when you have the dip, it's how well do you overcome it. And when you do overcome it, you then end up being a much better player and generally your career lasts a lot longer after getting through that period.
My idea about football is to play well, but even if you can't always play well, one thing I want is your character, your spirit. That is all I can ask of you.
Some mystery should be left in the revelation of character in a play, just as a great deal of mystery is always left in the revelation of character in life, even in one's own character to himself.
I wouldn't want to play a character that knew everything and knew where to go. It is much more interesting playing a character that is vulnerable trying to be strong. It makes for better TV.
My dad was an actor, and my older sister is an actress, and so I very much remember thinking, "Well, of course I'll do that as well." But I never imagined myself as an actor who would be in films. I always only thought of myself being in a play or a musical and maybe the odd episode of [U.K. '80s TV drama] Casualty. My backup plan was to do something with children, to start a nursery school or work with underprivileged kids. And I still dream of maybe doing that in some way. I've always got children in my house, always.
Don't let any obstacle stop you. Always remember that you have spiritual and mental qualities within you that can overcome even the seemingly impossible.
For me, Miranda has always been a much deeper character than the three-minute videos I put online.
I've always found teenagers really interesting. I think they've got so much going on in their lives, so that lends itself really well to fiction because there's so much drama, so much activity, so much growth.
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