A Quote by Clint Eastwood

You hear about actors being late and all that sort of stuff, but you never find that with an actor who's directed, because an actor who's directed understands all the problems your production is going through.
When you work with an actor, it's cool because they know what it's like to be directed themselves. Jodie directed a scene with me and Taylor that was when she starts talking to me again in prison and it's our first actual confrontation that we have, where some stuff comes out.
I've been directed by other actors, and being an actor doesn't make you a good director.
I sort of dreamed about directing before my career as an actor took off. I've directed stage before in so many capacities on tours. I put that together. You have to. Otherwise, it's your statement. It's your voice, and that has to come through.
Work with good directors. Without them your play is doomed. At the time of my first play, I thought a good director was someone who liked my play. I was rudely awakened from that fantasy when he directed it as if he loathed it. . . . Work with good actors. A good actor hears the way you (and no one else) write. A good actor makes rewrites easy. A good actor tells you things about your play you didn't know.
My story about becoming an actor is a completely non-romantic one. I became an actor because my parents were actors, and it seemed like a very... I knew I was going to act all my life, but I didn't know that I was going to be a professional actor. I thought I was just going to work as an actor every now and then.
It is always a pleasure to be directed by an actor because they know the scene from the actor's perspective, too. That's an advantage.
Jack Bender is a real actor's director. Because he was an actor, and because he directed theater, he really enjoys that process.
There is something about the vocal quality of the actors who can really do it. Jim Burrows, the great sitcom director who directed Will & Grace and Cheers, when an actor comes in to audition for him, he never looks at them. He just listens. Because funny is funny. You can be fooled by the eye, but if your performance is funny to the ear, it will be funny.
I've always been an actor, a lowly actor without power, so I've never been corrupted. I've never even directed.
Performing as a musician is a lot different than performing as an actor. As an actor, you can hide behind the character in the play, and there's a director and other actors. When you're a musician, you're right there. It's sort of like being a comedian. You're giving the audience in real time something authentic from yourself. As an actor, my bullshit meter was going off like crazy at my first attempts to find my own rock star.
After I directed, when I went back to being an actor, I was like, 'God, this is the life!' Because you only have to concentrate on one thing.
At least in the United States, most economic resentment is not directed toward billionaires or high-roller financiers - not even corrupt ones. It's directed at the guy down the hall who got a bigger raise. It's directed at the husband of your wife's sister, because he earns 20 percent more than you do.
My best stuff as a teacher was always to find the problems within each individual actor, and I'll suggest things that I know that particular actor will have difficulty with.
There should always be that leeway because if you think of your character as sort of absolutely fixed, then you just try and find actors to come and do exactly that thing, then you're not gonna be working with that actor's own set of internal impulses and who they are, so the best work is always a coming together of the actor and the character.
I directed two films, not very successfully, and after that, I went back to being an actor and a producer.
My father wanted to be an actor, dreamed about being an actor, but he gave it up because my mom and his family told him, "You're never going to make it; it's too tough out there."
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