A Quote by Clint Eastwood
You make a movie, and if somebody reads something into it, then great, more power to him.
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I read the book and I think, "Well, this is the movie we're going to make," and then someone else reads it, and they take a completely different movie from it. And both are valid.
I don't want to be in somebody else's movie, and then they make all the money. I've gotten offers to do the movies, but I won't sell myself short and be in somebody else's movie, like 'Boyz N the Hood.' I don't think I woulda done that.
There's something so great when you're watching a movie when you slowly get to know somebody more, because it's like a real relationship.
I don't really like those sorts of actresses who say, 'I don't want to make that movie,' but they make the movie. They just spend their time not liking being on a set and I just think it's absurd, because we are so lucky to do this job. When you accept to make a movie, just make the movie. And then it's more easy for relationships.
Acting is reacting. That's when acting is great - when you say something, somebody said something, they make a face, they pose, they use something physical, then you react to that, then they react to you.
When I make a movie, I just make the movie. I don't think about the success of it. If it becomes successful, that's an amazing treat. If it doesn't, you had a great time making it and you learned from it, and then you make a new thing.
Many times, when a director reads a script and wants somebody who says 'Far out', then they let me do what I want with it and that's usually more interesting for an actor.
One of my central philosophies is to be creatively driven so I have to be extraordinarily creative in the way I get things done and I have to be really flexible. Striving for the best creativity can be a really moving target if you're trying to budget anything because if you come up with a better idea for something and it's going to make the movie stronger then you have to do it. And that's what I do. The difficulty is that you have to use more judgement as a producer then you might in other places. I have to make unbelievably great creative decisions.
I think any great song is difficult to write, in some aspect. It's just difficult to make somebody feel something. That is the main goal. How do you make somebody want to get up and dance? How do you make somebody feel okay after their breakup?
I'm not somebody that opens a playbook and just turns and reads and reads. That doesn't do it for me.
After my last divorce, I said I was absolutely going to marry somebody in another field, an aid worker or something. Then I met Brad, everything I wasn't looking for, but the best man, the best father I could possibly wish for, you know? I don't see him as an actor. I see him very much as a dad, as somebody who loves travel and architecture more than being in movies.
There's actually a big difference between story and character. A great story doesn't make a great movie. A great script, which defines its moments and characters can become a great movie. You can make a movie that makes a lot of money and it may or may not have great story or great characters.
You can't own a human being. You can't lose what you don't own. Suppose you did own him. Could you really love somebody who was absolutely nobody without you? You really want somebody like that? Somebody who falls apart when you walk out the door? You don't, do you? And neither does he. You're turning over your whole life to him. Your whole life, girl. And if it means so little to you that you can just give it away, hand it to him, then why should it mean any more to him? He can't value you more than you value yourself.
When art is really great, it's really powerful, can really do something to you, make you feel more alive and make you feel more connected to something. If you don't feel like that when you do it, and you just make a movie to make money, that would be pretty boring to me. I just wouldn't do it. That would be like sitting in an office, which I don't want to do.
Just because somebody hears something you say, or reads something that you write, doesn't mean you've reached them.
Rod's a great singer. He's got a great voice, but there's no point to put a 30-piece orchestra behind him. I'm not going to knock anybody's right to make a living but you can always tell if somebody's heart and soul is into something, and I didn't think Rod was into it in that way.
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