A Quote by Clint Howard
And as an actor - or even as a person in the industry - if you're unwilling to change, you're just going to get swamped. You've got to be flexible, and you've got to go with the flow. That's what I try to do as an actor.
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I always say to every actor, and to people that want to get into this industry, to just try to be on set as much as you can, try to go to acting class, and try to work on your craft because there's nothing that can prepare you, like just when you get thrown onto a set and you've got to work.
I think being an actor in general is acknowledging that we are constantly playing different roles, that we have all these different parts of ourselves and instead of pretending that you are just one thing, as an actor you get to admit that you've got all this stuff going on.
I became an actor kind of by accident. I was in musical theater and I got a job as an actor in a play and kept going. But I never set out to be an actor; it happened over time.
I've always played down the drama in my films. In my main scenes, there's never an opportunity for an actor to let go of everything he's got inside. I always try to tone down the acting, because my stories demand it, to the point where I might change a script so that an actor has no opportunity to come out well.
With every action oriented or adventure film, there's going to be a moment when every actor becomes a stuntman and every stuntman becomes an actor. You try to do as much of it as you can, but inevitably the studio wants you to finish the movie. So you've got to slow down and you're really got to defer to your team to make sure you do.
Very occasionally I hire an actor and get it wrong. The actor just doesn't trust the process or me as fully as I thought they would. In this case, you can be quite sure that if an actor is untrusting, it's got nothing to do with me or the process.
You don't go to Berkeley to become an actor. In fact, I don't think you go to any school to become an actor. You've just sort of got to go out there and act.
Going from a child actor to an adult actor is not an easy thing, and I was sort of lost in a no man's land for a while, trying to figure out who I was as a person, and going from a young actor to an adult actor.
My story about becoming an actor is a completely non-romantic one. I became an actor because my parents were actors, and it seemed like a very... I knew I was going to act all my life, but I didn't know that I was going to be a professional actor. I thought I was just going to work as an actor every now and then.
I can't keep my head above water one minute to the next: it's not just the parties and the goo-gooing with what's-her-name, I've got the decide how long the Five Hundredth Anniversary Parade is going to be and where does it start and when does it start and which nobleman gets to march in front of which other nobleman so that everyone's still speaking to me at the end of it, plus I've got a wife to murder and a country to frame for it, plus I've got to get the war going once that's all happened, and all this is stuff I've got to do myself. Here's what it all comes down to: I'm just swamped, Ty.
As a director, you see something in someone; you know it's there, you just got to go get it. You do that with any actor. That's your job.
An actor is here to perform. For example, if a character is a Punjabi or a Bihari, and the actor is not, doesn't mean we have to cast an actor from that region. If an actor can perform, they can portray anyone because an actor is here to try different roles.
You can go raise the money outside of the industry, and then what you're doing is fighting with your money to get back into the industry, or for them to use your money instead of their own. So, you got to figure out how to do it within the flow of the industry.
I love the variety of films. In theater, you go into a room and the director runs the room, so you all work to his or her method. On film, if an actor or an actress is in for a day or two, the director has to get out of that actor what they need, so they have to change and adapt to that actor's technique.
I think the only thing I've got going for me as an actor specifically is the fact that I can change.
As an actor it's like, go with whatever excites you as an actor. What are you're going to invest yourself in as a character? What are you going to get into? Have a variety of characters to play.
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