A Quote by Clint Smith

In my hometown of New Orleans, grief is a public spectacle that, somewhat paradoxically, necessitates celebration. The dead are not mourned so much as they are posthumously venerated with music and dance.
New Orleans had a great tradition of celebration. Opera, military marching bands, folk music, the blues, different types of church music, ragtime, echoes of traditional African drumming, and all of the dance styles that went with this music could be heard and seen throughout the city. When all of these kinds of music blended into one, jazz was born.
in coming to terms with the newly dead, I seem to have agitated the spirits of the long dead. They were stirring uneasily in their graves, demanding to be mourned as I had not mourned them when they were buried. I was plunged into retroactive grief for my father, and could no longer deny, though I still tried, the loss I'd suffered at the death of my mother. ... Was it possible ... that one could mourn over losses that had occurred more than half a century earlier?
If I have to be considered any type of jazz artist, it would be New Orleans jazz because New Orleans jazz never forgot that jazz is dance music and jazz is fun. I'm more influenced by that style of jazz than anything else.
New Orleans is New Orleans. It's a great city and fun and great food. It's one of those cities that when you are working hard hours like we work, you have to do as much as possible to stay out of trouble. Not much of a problem for me, but in New Orleans, trouble tries so much to find you.
All New Orleans music is based off dance music, even jazz.
I want to thank the people of New Orleans and south Louisiana. New Orleans is my hometown, and of course they support their own team, the Saints, but they also support their own, and that city and state have backed me from the start.
Immoderate grief is selfish, harmful, brings no advantage to either the mourner or the mourned, and dishonors the dead.
I've always been in love with that Delta-flavored music the music that came from Mississippi and Memphis and, especially, New Orleans. When I was 14, I was in a wanna-be New Orleans band in Toronto.
I've always been in love with that Delta-flavored music... the music that came from Mississippi and Memphis and, especially, New Orleans. When I was 14, I was in a wanna-be New Orleans band in Toronto.
Music and dance is part of everything in New Orleans. So I grew up appreciating it all.
Twerking - and it's a lot more than twerking - comes from a long history of music and dance in New Orleans. Twerkin' happen around the world for a long time now, so I'm very excited that it's coming into the public eye, as long as it's respected.
My family's business was actually an amusement park in New Orleans. My grandfather had started that, and my grandmother was a dance maven in New Orleans. It was just the theatricality and the Mardi Gras and the pageantry that I fell in love with at an early age.
In New Orleans, bounce music was prevalent. That was all they wanted to hear. It was new and trendy, and it was hot, and it was taking off. Artists were coming out of everywhere. They did some great songs, some really catchy, fun songs. That was just the feel of New Orleans music.
Disco was like the celebration of music through dance and my God! When you heard the music sometimes it was like, if you don't get up and dance, you aren't human!
New Orleans is a great city. My favorite part is the music. I love being to walk on the street and dance with strangers. It's really fun.
In fact, entertainment has taken the place of celebration in the present world. But entertainment is quite different from celebration; entertainment and celebration are never the same. In celebration you are a participant; in entertainment you are only a spectator. In entertainment you watch others playing for you. So while celebration is active, entertainment is passive. In celebration you dance, while in entertainment you watch someone dancing, for which you pay him.
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