A Quote by Clinton Portis

I have the opportunity to control what happens in a game. I'll have the ball in my hand, and only I know what I'm going to do with it. — © Clinton Portis
I have the opportunity to control what happens in a game. I'll have the ball in my hand, and only I know what I'm going to do with it.
I love being out there on the mound with the ball in my hand. I can control the game. I'm out there. No clock - nothing happens until I throw that thing. Nothing happens. I love that feeling.
Rushing the ball is all about ball control. If you run the ball, you control the clock. If you control the clock, you usually control the game.
I build myself up with confidence with aggression, and confidence to control the game. If you're the bowler and you've got the ball in your hand you're controlling the game, so you've got to make sure the batsmen knows who's boss.
Keeping pushing, Andrei, and you and I are going to play a game. (Esperetta) And what game is that, Princess? (Andrei) Find the Ball in My Hand. (Esperetta) I don’t see a ball, Princess. (Andrei) Oh, you will, just as soon as I snap it off your body. (Esperetta)
When you're in between the white lines, the game face is on. I was only focused on the task at hand - out, safe, ball, strike - leaving little time to think about how special a player, moment or game happened to be.
I think it's important to know what you're going to do with the ball before it comes to you. So you're always thinking before hand and when the ball comes to you to can make the pass straight away.
There's only one ball game for any writer, and it's to keep you turning the pages. That's the whole ball game. That's what I have to do.
I find the ball, and I think, 'Where's the ball going, and where do I need to go?' It just puts me back in the game, and it's the simplest thing, but it's become sort of like my soccer mantra. I simply use the ball as my focus point and move back into position, and the distracting thoughts disappear, and I'm right back in the game.
I was always making decisions and they were easier decisions because I had control of the game, I had control of the ball. As a coach you sort of put the ball in other player's hands and let them make decisions for you. But I still get a kick out of winning basketball games and that's what I'm in this for.
You know you're going to get burned from time to time. It's just part of the game. So when it happens you have to pick yourself up, dust yourself off and forget about it because they're about to snap the ball again.
The little bit of my Brazilian side in Azzurri is perhaps to play more with the ball on the ground and have the tranquility to hold the ball. The idea is to have more control of the game.
As an actor, you are sort of only in charge of yourself. All you can really control is your performance. You don't know what they're going to do with it in the editing room, what they're going to cut out, which take they're going to use. You know, your control is very limited. As a director, it's ultimately your piece. You have a lot more responsibility, but you also have a lot more creative control. It's scary, but also liberating in a way.
I have always felt that although someone may defeat me, and I strike out in a ball game, the pitcher on the particular day was the best player. But I know when I see him again, I'm going to be ready for his curve ball. Failure is a part of success.
There's only so much that you can control, especially when the game speed is super, super fast, and guys are flying at you, and you're trying to make a play and get rid of the ball.
My reality was that if there was a defenseless player, if that person didn't touch the ball, I would not hit them. I was not going to strike you if you didn't have an opportunity to get the ball.
I don't go into a game thinking I'm going to run more than I'm going to pass. So it just depends on what the defense is going to bring in the situation of the game and what happens that play.
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