A Quote by Clive Anderson

Well, I was very lucky. I was brought up west southwest coast of Scotland and my mother and father had a music shop, and so I was surrounded by pianos and drums and guitars, and music, of course.
I was brought up west southwest coast of Scotland and my mother and father had a music shop, and so I was surrounded by pianos and drums and guitars, and music, of course.
My parents had a love for music. There were so many records, so much music constantly being played. My mother played piano, my father sang, and we were always surrounded in music.
I just love Cape Breton fiddling! I think it's very close. They derive their music from Scottish music. Well, in Donegal we're very influenced by Scottish music as well. Independently the two areas became very alike, because they kind of changed the music a bit from Scotland and we did the same.
I'm very fond of Glasgow, particularly the West End. The whole stretch of the west coast of Scotland from Loch Lomond up through Mallaig to the Kyle of Localsh is so beautiful.
I grew up singing Mexican music, and that's based on indigenous Mexican rhythms. Mexican music also has an overlay of West African music, based on huapango drums, and it's kind of like a 6/8 time signature, but it really is a very syncopated 6/8. And that's how I attack vocals.
The L.A. rap scene is popping again because rappers stopped saying 'West Coast.' Nobody says that anymore. Fans of L.A. music were reaching and saying, 'This is West Coast music,' because nobody else liked it.
Music was around in my family in two ways. My mother would occasionally sing to me, but I was mostly stimulated by the classical music my father had left behind. I had an ear for music, I suppose, so that's what began my interest in music.
My father is from Newark in Nottinghamshire and my mother is from the very north of Ireland. They've ended up in Scotland, where my father - well, both of them - will always be seen as having come from somewhere else.
I grew up in a kibbutz in the Galilee, but we were surrounded by Arabic villages, so I heard all these sounds and all this music. My father was very close friends with one of the Bedouin tribes, so I would always go there, to weddings, and I was always very fascinated by that music.
Everyone can write their melodies and chords and pianos and guitars, but what hasn't been discovered yet are tones and textures, and that's very exciting. Probably the No. 1 most important thing in my music is not to sound like anyone else.
I think I was just lucky to be brought up in a very musical family. My two older brothers were, and still are, very musical and very creative, and music was a big part of my life from a very young age, so it is quite natural for me to become involved in music in the way that I did.
Irish folk is probably the biggest influence musically that I've ever had. My mother's Irish. And when I was very young, both my brothers were very into traditional music, English and Irish. They were always playing music, so I was always brought up with it.
I've been very lucky early on to be surrounded when I was a child by music from various countries. My parents would listen to a lot of music coming from other universes.
My parents brought me up on all different styles of music, like my Mum would listen to Motown R&B and my Dad was quite 80's driven, so I was always surrounded by music growing up.
My parents are musicians. I was listening to the radio and recording songs off the radio on cassette tapes and playing guitars and pianos. Just emotionally responding to music from a very young age.
I play bass. I play a bit of guitar. I've never been to a lesson, so my theory of music is non-existent in any instrument, but we always had guitars around. My dad taught me to play drums for 'Love Actually,' and I still play drums now. But I'm not a 'drummer.' I'm not a 'guitarist.' I'm trying to be a bassist.
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