A Quote by Clive Barker

I know that I want to bring sex and horror together as I have been able to in my books. — © Clive Barker
I know that I want to bring sex and horror together as I have been able to in my books.
I wanted to be able to bring something together and bring the car community together in a way that hasn't really been done before, especially for the fans of the 'Fast and the Furious' and that entire franchise.
When I go see an R-rated horror movie, I want lots of violence. I want nudity. I want sex and violence mixed together. What's wrong with that? Am I the only one? I don't think so.
I was groomed as a so-called sex symbol, a rival to Marilyn Monroe, and from then on, whenever my picture appeared in paper, it was 'sex kitten,' 'sex symbol,' 'sex goddess,' 'sex pot.' I've accepted it, and I'm flattered, but in some ways, it's been a hindrance to me because I haven't been able to be taken seriously as an actress.
There were no horror movies or horror books to speak of in the '40s. I picked the '50s because that pretty well spans my life as an appreciator - as somebody who's been involved with this mass cult of horror, from radio and movies and Saturday matinees and books. In the '40s there really wasn't that much. People don't want to read about horrible things in horrible times. So, in the '40s, there was Val Lutin with The Cat People and The Curse of the Cat People and there wasn't much else.
I've always thought that sex and horror belonged together.
It's not that I'm not a horror fan, it's just that the horror scripts I've been sent have been rubbish and obvious. Because they usually are in horror films - it's just about scare factor. You're always one step ahead, you know who's going to die first, you know who's going to survive, you're going to get a jump every twenty minutes.
Teachers have almost stopped reading aloud to their classes because of the pressure of testing and tight curricula, but it is the books we read together and talk about together that bring us closer together.
Every film is a crapshoot. It's a mystery when a movie comes together. I've never been able to figure it out. I don't know how I make my choices. The only thing you can do is know there's something about a character that you really want to experience.
Two things I do well in books are sex and violence, but I don't want gratuitous sex or violence. The sex and violence are only as graphic as need be. And never included unless it furthers the plot or character development.
Two things I do well in books are sex and violence, but I don't want gratuitous sex or violence. The sex and violence are only as graphic as need be. And never included unless it furthers the plot or character development
You acquire all this new talent through the draft, through free agency, always having roster moves. And so being able to bring all of that together through training camp... you keep asking yourself that question of just how well can they join together and play together, and you don't know until you start playing in July and August.
The best moments are when, together with... you bring information, you bring data to bear in a way that helps illuminate something that you just don't really understand. Even if it doesn't completely clarify it, it just, you know, helps bring it together.
I've never gone to school for recording. I wish I understood it more. School's been hard, learning things has been hard, because of the A.D.H.D., or dyslexia, or whatever you want to call it, but I know how to come up with stuff to bring it together.
I grew up on all sorts of horror - Hammer Horror and Vincent Price's 'Theatre Of Blood.' I loved the hidden, scary layers, but there wasn't that much around for youngsters in terms of horror books. I can remember reading Stephen King's 'Salem's Lot' and 'Cujo,' but I thought there should be more for teenaged horror fans.
Having been issued the false prospectus of happiness through unlimited sex, modern man concludes, when he is not happy with his life, that his sex has not been unlimited enough. If welfare does not eliminate squalor, we need more welfare; if sex does not bring happiness, we need more sex.
Part of being a great restaurant chef is having an ability to bring all those people together, rather like a captain on a rugby field or a coach. It's also being a great teacher, because I'm only one person in a kitchen of 10 and I need to be able to bring all those people together and to teach them. I need to be able to communicate my thoughts and my process to them.
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