A Quote by Clive Barker
I was always aware of the ticking clock of time, always. I was very aware that I had a lot to do, and I wanted to do those things in the best possible way that I could and probably the biggest way I possibly could.
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I was well aware of my limitations as a football player and knew that I needed every edge I could possibly get in order to compete. A big part of that was to be as precise as I could and make as few mistakes as possible because I figured that was the only way I could survive.
I love the sense of how time passes when I'm acting. When you're not aware of the clock ticking, that is always a good sign you're enjoying something.
It's not that, living in Pakistan, I feel an enormous constraint on how I can write and what I can say; rather, I recognize that one has to navigate these things... Am I aware of things that one could say that would be risky or that could be dangerous? Certainly I'm aware of those things.
I've always been keenly aware of the passing of time. I've always thought that I was old. Even when I was twelve, I thought it was awful to be thirty. I felt that something was lost. At the same time, I was aware of what I could gain, and certain periods of my life have taught me a great deal. But, in spite of everything, I've always been haunted by the passing of time and by the fact that death keeps closing in on us.
I think there is an army clock ticking in me. I value time. I always want to be on time. I don't complain about things, saying, 'There is no caravan here,' etc. For example, they could only arrange a tent on the location of 'Pareshanu Raa'. I understand the importance of money. I respect my work a lot. Not that I am the only one who works hard.
I think it's what we've always tried to do, is just find a unique way in, and find a unique way to be true to what the character is from the comics and what fans are aware of and expecting. And at the same time do it in a way that mainstream audiences and as wide an audience as possible can find their own way into it.
I was very aware that my path into the industry would probably be as an actress and not in production, that I could learn a lot that way. And I did.
I'm half-Armenian. Even though my grandparents did not discuss the genocide, and my father - like many sons and daughters of immigrants - wanted to be as 'American' as possible, I was always aware of it. How could I not be?
I was always shy. Writing was my only outlet. Because I always hid in a room, I spent a lot of time watching people. When I was a small child I could detect hidden body language in others only I could see. People's emotions rub off on me. When I told this to my therapist she said, "Well, you're an empath." I thought, "No way. Like Star Trek?" And she clarified: because I am so socially uncomfortable, I have compassion for others who I recognize are also struggling. People with anxiety are acutely aware.
I try not to be a prisoner to those kinds of thoughts or ideas of what I think my life should be or shouldn't be. That's why I've never had a five-year plan. I always knew that I wanted to have children. It wasn't kind of something that I discovered later. I also never felt the biological clock ticking because I think I always knew that I wanted to adopt.
I have always dressed a little bit differently, even when I was in school. I would wear skirts over pants because I went to a Christian private school and wanted to wear short skirts, but we had to wear skirts below our knees, so I put on a pair of jeans underneath so I could wear the skirt, too. When you become an artist you have to be so aware of what you're wearing all the time, but I've definitely wanted to stay classy, girlie, and feminine - I won't walk around in my bra or trashy clothes. I don't feel attractive that way.
I was aware of the possible biases you could get as a commercial director, like being too concerned about the technical aspects of the form rather than anything of substance. If you keep working in commercials, you can get trapped in a very superficial way of thinking. I always used commercials as an exercise for filmmaking, like going to the gym.
There are two clocks ticking in Iran. One is the democracy movement clock which is ticking now faster than it was but it's got a lot of catching up to do. And then there's the clock that's ticking towards a nuclear weaponry.
You have to be aware that whenever you leave your house, you're probably going to be photographed by someone somewhere. Maybe those pictures will surface. Maybe they won't. Maybe those videos will surface. Maybe they won't. But you have to always be aware that it could be happening.
I was raised in a home where we grew up where we discussed issues. I've always been really politically aware. My wife and four kids are very aware. They make me more attuned to a lot of things I would not think about. Especially women's issues.
It was always sort of my dream to make handbags and I wanted a handbag that was very sharp, very structured, very tailored... I wanted a bag you could put all of your things in it, you can open it, you could close it, you could hid all your tricks, but it's not all lumpy.
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