A Quote by Clive Barker

Teaming up with Adaptive Studios and Shudder is a wonderful opportunity to support emerging filmmakers in finding the new horror icon. This is also a great chance to scare and entertain audiences at the same time.
Teaming up with the scientists, researchers and computer programmers at Intel to collaborate and co-develop new ways to communicate, create, inform and entertain is going to be amazing.
I thought it was great fun to scare people. I also knew it was socially acceptable because there were a lot of horror movies out there.
Forget horror icon, Kety Bates is an icon. She's an acting icon. I was raised on so many of her films, everything from Misery to Fried Green Tomatoes to Delores Claiborne, all films that I've watched multiple times and been inspired by.
What an amazing opportunity to do something like direct a movie and step out of your creative comfort zone and yet do something that is also so familiar at the same time. I was also just excited to have the chance to direct, which I may never get to do again.
'Ice Cream' is a very different horror thriller. Something unusual and super natural happens to two persons in a house and I am sure that those scenes will definitely scare the audiences.
As Razam so aptly demonstrates, a new kind of traveler is emerging-one that embarks into the mysterious and uncharted domain within, where they aim to conquer their own hearts. Written in the tradition of a great adventure narrative, Aya Awakenings is a timely story for a new emerging era.
It's difficult, very difficult to create something new every time in this space of horror and scare people every time.
Life is all about making choices and I'm very happy with mine. I have had a wonderful time raising four children and I've also been lucky to have the support of a wonderful husband.
Audiences are the same all over the world, and if you entertain them, they'll respond.
I came to live in Shepperton in 1960. I thought: the future isn't in the metropolitan areas of London. I want to go out to the new suburbs, near the film studios. This was the England I wanted to write about, because this was the new world that was emerging.
Filmmakers are always in a bubble; along with our crew or writer, we don't really get to socialize with other filmmakers, so the great thing about Sundance is you can see many other filmmakers doing the same thing you do.
Now I also want to say, without a doubt, there are some wonderful, wonderful, absolutely wonderful things about being a man. But at the same time, there's some stuff that's just straight up twisted, and we really need to begin to challenge, look at it and really get in the process of deconstructing, redefining, what we come to know as manhood.
I had always loved horror films, so I wanted to do something in the horror genre but wanted it to be sweet and charming at the same time. Because there's a difference between watching horror, where you can leave it behind, and writing horror, where you have to live in it for months and months at a time.
When you're talking horror or sci-fi, you're working in a genre that has loosely certain thematic elements, or, you could even call them rules. But rules are there to be broken. I think that young filmmakers should go all the way back to the history of horror, from silent films like "Nosferatu", and through to today's horror films, so they understand the history of horror films and what has been done. Understand that, and then add something new or original.
We had to be very careful on our best behaviour when we went to these other countries. And then I made a living, I had a chance to support my wife and my kids. It was a wonderful, wonderful, wonderful program from that point of view.
I look for every opportunity to mix comedy and horror and tragedy. I love catching audiences off-guard.
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