A Quote by Clive Barker
There's a lot of places where the image of a cube as a thing of power is pertinent. I don't know why that is. I don't have any mythic explanation for it, but it seems to work for people.
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I think, first of all, I don't think people understand Ice Cube's body of work. Ice Cube is a, and I hate to use the word 'urban' but - when you think of Judd Apatow, and a person who's launched so many careers, Ice Cube has done that for so many comedians, you know?
[Barack Obama] will spend long periods of time explaining to people why he won't use it. At the end of the explanation, nobody knows why he still won't use it because the explanation is no good. And I mean, honestly we have a president that in my opinion really doesn't know what he's doing.
Because the true perfection of a practical occupation consists not only in knowing the actual performance of the occupation but also in its explanation, why the work is done a in a particular way, and because the art of calculating is a practical occupation, it is clear that it is pertinent to concern oneself with the theory.
The most interesting characteristic of the cube is that it is relatively uninteresting. Compared to any other three-dimensional form, the cube lacks any aggressive force, implies no motion, and is least emotive. Therefore, it is the best form to use as a basic unit for any more elaborate function, the grammatical device from which the work may proceed.
When I was a journalist, I didn't care how many people talked to Ice Cube before I talked Ice Cube. I just knew that when I talked to Ice Cube, it was going to be different than what anybody else had done, and it was the same with any group.
It seems to me the only pertinent question is: cui bono? It is clear that the size of the privileged strata as a percentage of the whole has grown significantly under historical capitalism. And for these people, the world they know is better on the whole than any their earlier counterparts knew.
I see that things are getting made a lot faster for less money and there are a lot less opportunity, I think, for actors. There's not a lot of work in the U.K. I mean, that's why everyone's moving to America because that's where the work seems to be. But it definitely feels like a lot more of a slog to get a gig these days. I suppose that's a lot to do with our current climate and financial messes. I certainly see that people seem to have to work harder with a lot less time.
Just as I know the usual rules of law enforcement, I also know the exceptions and invoke those frequently. I don't feel a need to bog the reader down with an explanation of why the procedures are realistic, as long as I know that there is, in fact, an explanation.
There are people who are convinced supernatural forces are at work, but I've no idea. I suspect 'possession' might be a psychological thing, like schizophrenia. We all think we know things, but we don't know a damn thing. Whether God exists, why we're here... Nobody really knows any of it.
Zen abhors repetition or imitation of any kind, for it kills. For the same reason Zen never explains, but only affirms. Life is fact and no explanation is necessary or pertinent. To explain is to apologize, and why should we apologize for living? To live—is that not enough? Let us then live, let us affirm! Herein lies Zen in all its purity and in all its nudity as well.
The first time I had work in a public space it felt very strange to see people that I didn't know looking and, and presumably commenting on, my work. Nowadays, I'm a bit more fatalistic - they either like the work or they don't and there's not a lot I can do about that. The trick seems to be not to get too pissed on open nights so that I can answer any questions without making a fool of myself. Doesn't always work!
Artists tend to be people of strong character and opinion. Often they are dismissed in our culture if they don't fit a certain mainstream media mold. It's a reason why filmmakers are now releasing films online. Art, in any form can invoke various emotions and actions. I think some can be frightened of the power that a simple image can invoke and that's why they tend to shy away from it. But art documents moments in our history and that image is often what many people remember of a certain time.
There are a lot of people who believe that the individual can't make it himself. And that's why people want to join up in various herds - herd formation. So you become part of a herd, a group. Group power of some kind. There's an awful lot of group power people in our country [the USA] - Black power, Chinese power, Indian power, woman power. Everyone is putting in together.
My image seems to be so infantilized, and I don't really know why. It belittles the music.
There are places where there is more power. Just as there is more power in the chakras, there is more power in certain places. We call them places of power. If you spend time in these places, it increases your vibratory power.
Arthuriana has become a genre in itself, more like TV soap opera where people think they know the characters. All that's fair enough, but it does remove the mythic power of the feminine and masculine principles. So I prefer it in its original form, even if you have to wade through Mallory's 'Le Morte d'Arthur' - people smashing people for pages and pages! It still has the resonances of myth about it, which makes it work for me. I don't want to know if Mordred led an unhappy childhood or not.
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