A Quote by Clive Cussler

My job is to entertain the readers in such a manner that, when they reach the end of the book, they feel like they've gotten their money's worth. — © Clive Cussler
My job is to entertain the readers in such a manner that, when they reach the end of the book, they feel like they've gotten their money's worth.
I'm writing for entertainment. I like people to reach the end and feel they got their money's worth.
I definitely feel like when I write a book it's not my job to police or guide the readers. The book and the characters don't belong to me anymore. If that makes sense.
I think I write for reluctant readers. Of course I want everyone to enjoy my books, but if the kids in the back row who normally don't pick up a book are engaged with what I'm writing, along with the kids who are big readers anyway, then I really feel like I've done my job.
It's not even my job to educate, but what I do is try to facilitate by creating a book that works on different levels. I do want to entertain and bring some joy to the reading experience. If it holds a little kernel of knowledge that readers choose to explore, well, that's great.
It's a job. I entertain my readers. I get up in the morning, and I start typing.
A reader is entitled to believe what he or she believes is consonant with the facts of the book. It is not unusual that readers take away something that is spiritually at variance from what I myself experienced. That's not to say readers make up the book they want. We all have to agree on the facts. But readers bring their histories and all sets of longings. A book will pluck the strings of those longings differently among different readers.
I'm happy to entertain kids you know. It's my biggest pleasure to like see a twelve year old picking up a book that I did and dreaming about being a comic book artist. That's what the magic is, everything else is just production and a job.
The challenge is always to find the good place to end the book. The rule I follow with myself is that every book should end where the next book would logically begin. I know that some readers wish that literally all of the threads would be neatly tied off and snipped, but life just doesn't work that way.
I want to reach that peak. I don't know when I'm going to reach it. I don't know how good it's going to be. But if I feel like I've done it all-that I've reached what I can reach at the end, there's no way I can't be satisfied.
I'm young. You can't just sit there and be satisfied. People are like, "You've got all these number ones!" "Yeah...what else?" It all translates into money, and that's how people think of being successful, but my success, I feel like, is credit - credit for a good job. I haven't even gotten a Grammy, yet I've already decided I want an Emmy.
I always want readers to lose themselves completely in a story and feel something, whatever the book invites them to feel. That experience is the best takeaway any book can offer.
Most of the books that I've adapted I'm doing because I love the book and I feel like it's a great work of art in itself, and when it's a great book I feel as a director or a writer that I have a responsibility to rise to the level of the original. It makes me try to reach higher.
The only pressure I feel is to write good books. And to not replicate the previous book. Whether you have a thousand readers or a million readers it doesn't change the pressure. I never feel tempted to give the reader what I think the reader wants.
When I look up at the screen and see myself I always have to laugh. Not because I think I'm doing a horrible job, quite the contrary, I just feel it's so surreal to feel like one person can entertain so many at one time.
As far as what readers can expect with 'Maybe Someday,' I'm not the type of writer who writes to educate or inform my readers. I simply write to entertain them.
In the theater we're like blue-collar workers: It's a physical job, you don't make a lot of money, and you're on the road all the time. It's worth it in that it's the best job in the world, but you have to negotiate living in cities that don't always accommodate you.
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