A Quote by Clive Cussler

I want it to be easy to read. I'm not writing exotic literature. — © Clive Cussler
I want it to be easy to read. I'm not writing exotic literature.
I don't want my writing to be work to read. My main goal is completely shameless entertainment. I want people to smile and giggle and enjoy the book. I'm not trying to save the world through literature.
Read. Read. Read. Read many genres. Read good writing. Read bad writing and figure out the difference. Learn the craft of writing.
Writing detective stories is about writing light literature, for entertainment. It isn't primarily a question of writing propaganda or classical literature.
We're at an interesting phase of Asian and Asian-American writing, where we might succeed in having readers look at us as creative individuals who write with fury and fire about the world, and in new ways, without having them say things like "I read a really good Indian book," or "That Malaysian fellow writes very well." So I hope by identifying as Indian I can get people who don't usually read "ethnic" or "Indian" literature to read that literature and enjoy it.
Art Objects is important not only as a plea to the public to read serious literature and to read it seriously, but it is a terrific book of instruction about writing.
[On her writing agenda:] Make the familiar exotic; the exotic familiar.
I find putting oneself out there difficult. I think writing and sharing writing require different skill sets. I want to be read, but it takes courage to ask someone to read your work.
God, you Jews are truly exotic." Exotic? She should only know the Greenblatts. Or Mr. and Mrs. Milton Sharpstein, my father's friends. Or for that matter, my cousin Tovah. Exotic? I mean, they're nice, but hardly exotic with their endless bickering over the best way to combat indigestion or how far back to sit from the television set.
I stay up on current events. I read 'The New Yorker' and 'The Economist.' I go to community meetings to see what concerns the people in my neighborhood. I studied literature in college, so I also continue to read poetry, literature, and novels.
If you read the literature of Soviet Communism, you see a dogma that's chilling. On the other hand, if you read the literature of anti-communism, it's every bit as dogmatic.
I read whenever possible, and I buy books all the time, sometimes online, but mostly from bookshops. I love literature. If you want to understand art, it's important to understand what is also happening in literature, in music, in science, in architecture.
Calling something exotic emphasizes its distance from the reader. We don't refer to things as exotic if we think of them as ordinary. We call something exotic if it's so different that we see no way to emulate it or understand how it came to be. We call someone exotic if we aren't especially interested in viewing them as people - just as objects representing their culture.
Literature cannot develop between the categories "permitted"—"not permitted"—"this you can and that you can't." Literature that is not the air of its contemporary society, that dares not warn in time against threatening moral and social dangers, such literature does not deserve the name of literature; it is only a facade. Such literature loses the confidence of its own people, and its published works are used as waste paper instead of being read. -Letter to the Fourth National Congress of Soviet Writers
Conservatives don't want to read good, smart books. They mostly want to read Fox and talk radio hosts writing about presidents.
Literature, the study of literature in English in the 19th century, did not belong to literary studies, which had to do with Greek, Latin, and Hebrew, but instead with elocution and public speaking. So when people read literature, it was to memorize and to recite it.
I get upset about what is taken as great literature and what is cute and exotic.
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