A Quote by Clive James

Not everyone who wants to make a film is crazy, but almost everyone who is crazy wants to make a film. — © Clive James
Not everyone who wants to make a film is crazy, but almost everyone who is crazy wants to make a film.
Everyone wants to know what you want to work on and everyone wants to pitch you what they're working on. And that's just part of the process. And hopefully, at some point you find someone of like minds and you make a film.
Priyanka Chopra has produced a Marathi film. Even John Abraham announced he wants to make a Marathi film. Suddenly everyone wants to jump on the bandwagon. Shah Rukh, Rohit Shetty also want to do a Marathi film. There is an awareness. But I hope they don't come and spoil the market by making their kind of cinema.
When you make a film, everyone wants to define it.
A man who wants to die feels angry and full of life and desperate and bored and exhausted, all at the same time; he wants to fight everyone, and he wants to curl up in a ball and hide in a cupboard somewhere. He wants to say sorry to everyone, and he wants everyone to know just how badly they've all let him down.
There are some concerns that are universal. Everyone wants to be loved, and everyone wants to feel like they belong somewhere in the world. Everyone wants to do something and feel like they have a sense of purpose. These are just the things that I think about and the things that make their way into my songwriting.
Everyone who makes a Star Wars film wants to make it their own but they also have to be true to the concept.
Kaizad Gustad is quite crazy, and he has weird ideas, and 'Boom' is one such idea. It's a crazy film by a crazy guy. It's almost a satire, a black comedy.
Everyone wants to make the Olympics. Everyone wants to pretty much just play on the team or at least try out.
I think crazy people are helpful, crazy people who are the catalysts who make other things happen for everyone else. It's almost as if they're not really making things happen in their own life, but their hyperactivity is triggered for everyone else.
In Europe, where we have all these different forms of financing and cultural funds and systems like that, it's a good mixture of supporting artists to make movies. But, on the other side, everyone still wants to make money making movies. Again, even in the European film business, it's expensive to make movies.
Everyone wants to be seen. Everyone wants to be heard. Everyone wants to be recognized as the person that they are and not a stereotype or an image.
That's the greatest sin a director can commit; to make a film simply because he wants to make a film.
Everyone wants to be loved; everyone wants to know where they're going in life; everyone wants to have a sense of direction and feel the next day is going to be better than today. We just all deal with it in a different way.
If you're crazy, there's two things you can do to make yourself feel better: One is to get yourself cured. The other is to make everyone you have to deal with crazy.
When you're younger, everyone wants to be a point guard. Everyone wants to shoot fadeaway jump shots all day. Nobody wants to be a big man. Nobody wants to go stand on the block and just set picks.
Look at our society. Everyone wants to be thin, but nobody wants to diet. Everyone wants to live long, but few will exercise. Everybody wants money, yet seldom will anyone budget or control their spending.
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