A Quote by Clive Owen

Very often on films, even without a producer credit, I'll be involved, very early on. I want to be there as the thing is taking shape. — © Clive Owen
Very often on films, even without a producer credit, I'll be involved, very early on. I want to be there as the thing is taking shape.
When you walk into a store and you want to buy something, you give them cash and they sell it to you. But very often, you walk into our "store" and you want something - a credit card, maybe, or a loan - and very often the answer is "No," even if you're a large corporation.
One of the beautiful gifts of dance is that you're so in tune with your body so early on. I was very comfortable in my skin at a very early age, performing onstage and wearing interesting costumes. And I give so much credit to my mom - she never made me feel that my costume was wrong, or bad, even when there was not a lot to them!
I started to invest in very-early-stage companies where, even though I wasn't the founder, I could help shape the early strategy and culture.
When I was making films [early in my career] there were very, very few female directors, and there were certainly no women on set, which made taking one's clothes off all the more difficult.
Even as an actor, much before I turned director or producer, I was somebody who was very involved with every film I was doing. I would pretty much be a part of a project from the time they toss the ball to the marketing. It's very simple.
Becoming that guy who does one thing is not very interesting. I'm lucky and proud to have been involved in period films and action films.
I love Deadmau5 as a producer, as a person. He's super interesting. He's very funny to follow on social media. But as a producer, he gets every single credit I can give him. He's nuts.
So I developed very early a massive inferiority complex, and I've told the story often about how that inspired me later in life to get involved in other things, because I couldn't out-do my brothers in sports, and it's a very competitive relationship.
I quickly said that, because of my loyalty to 'Star Trek' and also just being a fan, I wouldn’t even want to be involved in the next version of those things. I declined any involvement very early on. I’d rather be in the audience not knowing what was coming, rather than being involved in the minutiae of making them.
Very often on some of this stuff when I'd have to go to work. I'd just give the script a cursory glance. I had no training, and I was a quick study, so nobody knew how involved or not involved I was. But I look at that stuff now and I can see I wasn't involved, and I wasn't very good.
My very first records, I was very interested in how you get the particular quality you want out of it, and I began to learn about the engineering and aspects of production and things very early on. I got hands-on with the process and taught myself how to engineer, as opposed to just being a producer who asked the engineer to make it sound nice.
The leader is a teacher who succeeds without taking credit. And, because credit is not taken, credit is received.
I'm in the process of working out an arrangement to make some very, very, very small films in the midst of all these films and maybe that will help. But you get tired of talking. You just want to do it.
Today a record producer is even more involved and is often the production's sole musician, one person playing all the instruments one-by-one.
The sage acts without taking credit. He accomplishes without dwelling on it. He does not want to display his worth.
The odd thing about Bob is that even though he's known as really taking chances and being very sensual, he was also a very moral man.
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