A Quote by Clive Owen

I don't think you necessarily identify and believe in the motifs of the character, but you have to want to play it and want to commit to the lines. — © Clive Owen
I don't think you necessarily identify and believe in the motifs of the character, but you have to want to play it and want to commit to the lines.
I don't think I want to play title roles. I don't want to be the face on the poster. I don't want that pressure of having the success riding on my shoulders. I just want to play the most interesting parts. I actually think it's incredibly rare to get an interesting female character that is the lead in a film. Usually the character parts are so much more interesting to play.
You don't want to play a character you can't inhabit or commit to fully.
I think it's my job to like any character I play - to understand and appreciate a character, to look at the world as much as possible from their point of view. I don't look at it just technically: learn the lines, figure out what gestures I want to bring and play, and that's it. I like to learn as much as I can about the person, and see what happens.
I think women want freedom. They want to be empowered. They want hope. They want love; they want all the things that I want, and I'm not afraid to say those things and act on them, and I think that's why they identify with me.
I just always want to play people. I don't want it to be necessarily that you relate to the character as female or male, but that you relate to them as a person. That's the driving force.
Nowadays they have 12 directors and 15 producers and 30 writers. And all the writers want their lines said a certain way-which isn't necessarily funny. I mean the lines aren't necessarily so funny to begin with.
They are no longer going to serve you well. You have to commit. I think the biggest word is commit. I hear women say to me all the time, and men - I want to, I want to.
When I commit to a role, I always tell myself that role is king. That's the Bible. If I start to judge my character, than it's going to influence my performance, and I don't want that. I want to find the truth in the character.
When it's a comedy or drama or horror or romance, it's all the same. You want to be honest with the character. You want to play truthfully and you want to be genuine with your character.
This character matters so much to so many people. I want to get that right. I want to do it justice. I want people to believe in the character and have faith in the character and kids to grow up wanting to be Superman. Or, God forbid, there's people who are going through hardship and wishing that this character would turn up and save them.
I think for a chef, to have a signature dish is a tough question to answer. On one, you don't want to be associated necessarily with just one thing that you think you might do well. On the other side, you've got to commit to owning up to certain things.
I think it's about finding the character you want to play and the people you want to work with.
The minute we have a pain, we want a diagnosis. So I think the minute we feel love, it's very hard to just let it be. We want to identify it, we want to catalog it, we want to keep the thing and create the environment it happened in. That's where marriage comes from! Let's make an institution out of it!
I want to play everything. I want to be like Christian Bale: I want to be able to be Batman and then, like, his character in 'The Fighter.' That is what is so impressive about really good actors, that they can be character actors and leading men at the same time.
I want to play roles where my absence should be felt. It may not necessarily be a lead role, but my character should be crucial to the show.
You want to be honest with a character and play it truthfully, and you want to be genuine with your character.
This site uses cookies to ensure you get the best experience. More info...
Got it!