A Quote by Clive Owen

I'm not the kind of actor who goes into exhaustive research for each role. — © Clive Owen
I'm not the kind of actor who goes into exhaustive research for each role.
When an actor gets a role, especially in series television where he really is the part, the audience never thinks of another actor playing that role. If they accept you in the role, then they can't separate the actor from the character.
If you're playing a real person, then you want to do a certain amount of research, but that's only going to be so useful to you. Each role requires a different kind of approach to get ready.
In my journey, I got amazing characters to play which were as interesting as a lead role. In 'Commando,' my role was so good. I feel no actor have rejected that kind of a role.
I'm not a method actor, but I'm a big research kind of actor.
When you're younger, the mental strain of being a successful actor, jumping from role to role, and trying to have some kind of personal life, can really be terrible.
I remain an active volunteer in the field of at-risk youth, so I'm pretty familiar with the landscape as it stands now, but I don't have any qualifications or an exhaustive body of research to back up my observations.
I'm not an actor who approaches films doing a lot of research. I do zero research, unless it's a film where I'm playing a mock version of someone who already existed. Then, you've got to do a lot of research.
Essaying different characters on screen and doing justice to each role entails its own set of research and hard work.
[The Man] was a case where it was a funny role teamed up with another actor. It's a great teaming. And the role was a bigger role. It wasn't so much that it was a co-starring role. This is not a new direction. I'm not saying, 'No. I'm only now co-starring.' It just happens it's a co-starring role.
I have no problem having any actor from anywhere play a role. I'm excited for any actor that gets a job, I truly am. Even if it's a role that I'm up for and I don't get it, I never begrudge any actor having it work out for them.
I'm really into sci-fi. The reason I'm an actor is because of Star Wars - I saw that and I knew that's what I wanted to do. But most of the projects I'm offered as an actor are straightforward dramas, so I haven't really been given a chance to do that kind of role.
I'm really into sci-fi. The reason I'm an actor is because of 'Star Wars' - I saw that and I knew that's what I wanted to do. But most of the projects I'm offered as an actor are straightforward dramas, so I haven't really been given a chance to do that kind of role.
I have to say, speaking from experience, just because an actor starts out in a role in the workshop, they won't necessarily play it when it goes to Broadway.
As I get older, I'm more willing to take on more, I guess. I feel more comfortable kind of being different characters and kind of stretching it a little more. Like with The Visitation. At least for me, being an actor, I have to draw from human experiences, so it was kind of a stretch playing that role. Kind of supernatural... kind of like what I did in The Crow actually.
Mostly I take photographs in times of research. Whores' Glory was shot in 30 days, 10 days for each segment, but the research for each part lasted a couple of months.
An actor rides in a bus or railroad train; he sees a movement and applies it to a new role. The whole garment in which the actor hides himself is made of small externals of observation fitted to his conception of a role.
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